月: 2016年1月

投稿日:

ダンスは済んだ？ （１０）

160127_01　千葉大や建築研究所などが、震災被害の資料から建物の傾きなど杭の損傷が疑われた公営住宅や学校、庁舎などを２０１２年と１３年に調査。宮城、福島、茨城、栃木、埼玉、千葉の各県の計４２棟で杭の損傷がみられた。耐震基準が強化された１９８１年以降の建物も１６棟あった。情報が得られた公共施設が主な調査対象のため、民間も含めた全体像は分かっていない。
　目視やカメラなどで地下を調べると、コンクリート製の杭が砕けたり、破断したりしていた。建物の揺れや地盤の変形で無理な力がかかったと考えられるという。被害は低地２３棟、埋め立て地や盛り土地９棟など軟らかい地盤が多くを占め、地盤の液状化が直接影響したとみられる例も５棟あった。
http://headlines.yahoo.co.jp/hl?a=20160127-00000005-asahi-soci

「被害が疑われた６１棟のうち４２棟で損傷」
この割合、確率は高いね。
建物自体が無事でも、耐震基準を満たさなくなってるので、住めないし、資産価値はゼロどころかマイナス。
危険なのでただちに取り壊すしかない。
首都直下型でもおそらく同じだろう。

巨大地震は、いうなれば大地がシェイクし、地層がツイストし、杭がブレイクダンスをするようなもの。
人間の営為を嘲笑うかの如き、死の舞踏（La Danse Macabre）にほかならず、
我ら、いづれ ことごとく滅び去る運命 と観念すべきである。

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Ollie & Jerry – Breakin’…There’s No Stopping Us（1984/05 single-length version）

produced by Ollie E. Brown
Pop Chart Peaks: Cash Box 8, Billboard 9 – R&B Peak: 3 – UK Peaks: 5 （Gallup, NME）, 13 （MM）
“Breakin'” was a 1984 breakdancing-themed film musical. This popular Ollie & Jerry number ran longer in the movie soundtrack album

Ollie & Jerry – Breakin’… There’s No Stoppin’ Us（album version）
オリー＆ジェリー – ブレイクダンス
ヘラルド映画「ブレイクダンス」オリジナル・サウンドトラック
from the album Various “Breakin’ – Original Motion Picture Soundtrack”（1984）ブレイクダンス
Time: 4:34

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Irene Cara – Breakdance（1984/03 stereo 45 single version）
アイリーン・キャラ ブレイクダンス

produced by Giorgio Moroder
Pop Chart Peaks: Billboard 8, Cash Box 10 – R&B Peak: 23
One of five charted titles from her LP “What A Feelin'” （the longer album track, this turned out to be Irene’s final Top 40 single.

Irene Cara – Breakdance（album version）
アイリーン・キャラ ブレイクダンス
from the album “What A Feelin'”（1983）フラッシュダンス～ホワット・ア・フィーリン

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Harry Belafonte with The Norman Luboff Choir – Jump Down, Spin Around（1956）
Written-By Belafonte, Luboff, Attaway

 

The Steelers – Kesäillan Twist（2012）
Finnish

Johnny Earle – At the Hop / Rock and Roll Is Here to Stay
from the CD album “Jive Time Featuring Johnny Earle”（1998）

The Boppers – When You Dance（1979）

Brick – Dazz（1976/09 stereo 45）
ブリック – ダズ
from the album “Good High”（1976）グッド・ハイ

produced by Healy-Duncan-Lee-Brick
（debuted late ’76） 1977 Pop Chart Peaks: Billboard & Record World 3, Cash Box 5 – R&B Peak: 1 – UK Peak: 36 （BMRB）
Dazz = Disco Jazz. A track from the Atlanta band’s first LP “Good High.”

Sweet – Ballroom Blitz（1975/04 stereo 45）
The Sweet – The Ballroom Blitz（UK:1973/09/14）
スイート – ロックン・ロールに恋狂い
現在は「スウィート」の日本語表記。
Ballroom は「ダンスホール」、Blitz は「電撃戦」「急襲」の意で、どちらも古臭い語感。
冒頭、メンバー紹介代わりに点呼（笑）が入る。
“Are you ready, Steve?
“Uh-huh”
Andy?
“Yeah”
Mick?
“Okay”
Alright, fellas, let’s go!”
２度目の引用。

produced by Phil Wainman
Pop Chart Peaks: Billboard 5, Cash Box 9, Record World 11 – 1973 UK Peak: 1 （MM, NME）, 2 （BMRB）
First released in 1973 and a later-arriving U.S. hit, this hard-rocking international best-seller is sometimes claimed to have been inspired by an actual Sweet concert incident, but you’ll find conflicting stories online.

Sweet – Ballroom Blitz（1975 mono radio promo 45–short version）
２度目の引用。

produced by Phil Wainman
1975 U.S. Pop Chart Peaks: Billboard 5, Cash Box 9, Record World 11 – 1973 UK Peak: 1 （MM, NME）, 2 （BMRB）
First released in 1973 and a later-arriving U.S. hit, this hard-rocking international best-seller is sometimes claimed to have been inspired by an actual Sweet concert incident, but you’ll find conflicting stories online.

Carl Simmons – At The Hop（1972）

Dee Torres – Let The Little Girl Dance（1966）
２度目の引用。

Out of Los Angeles, a one shot single on the Dore label by unknown Latino, Dee Torres. The original hit version was issued by Billy Bland on Old Town Records in 1960. A decent version was recorded by Grantley Dee in Australia in 1966. This version recorded at Hollywood’s Gold Star Studios, includes an uncredited Gene Page page arrangement featuring an ensemble of L.A’s’Wrecking Crew’ with a prominent brass section front and center. The flip,’I Want You’, is a Dee Torres original in true East L.A. slow grind style.

The Impacts – Jerkin’ In Your Seat（1965）

The Tielman Brothers – At The Hop
２度目の引用。

　　※（追記：この動画は削除されました）

 

Diane Ray – Slow Dancing With Don（1964）

Penny Rae – Chugga Lugga Choo Choo（1962）
２度目の引用。

The Royal Teens – Royal Twist（1962）

Rod Mc Kuen – Oliver Twist Meets The Duke Of Oil（1962）
冒頭 Gene Chandler “Duke Of Earl” を拝借。
２度目の引用。

The Beau-Marks – Little Miss Twist（1962）
２度目の引用。

Herb Zane – The Persians Twist（1962）

Herb Zane – Twistin’ At The Pit（1962）

Gus Backus – Holzhacker Twist（1962）

Terry Corin – Twistin’ And Cryin’ All Alone（1962）

The Corals – Dancin’ & Cryin’（1962）

Frank Verna – Twistin’ Baby（1961）

　　※（追記：この動画は削除されました）

 

Frank Verna – Facime La Twist（1961）
オー・ソレ・ミオ（’O sole mio）のメロディ。
２度目の引用。

Hank Ballard and the Midnighters – The Hoochi Coochi Coo（1961）

Paul Anka – Dance On Little Girl（1961）涙のダンス

Harry M. And The Marvels – The “U-T”（1961）

The Rollers – The Bounce（1961）

The Piltdown Men – Brontosaurus Stomp（1960）

Al Brown’s Tunetoppers – The Madison（1960）

Chubby Checker – The Hucklebuck（1960）

Billy Bland – Let The Little Girl Dance（1960/01）
２度目の引用。

This was Billy’s only significant national pop & R&B hit, though some will remember his earlier regional favorite “Chicken Hop.”

Frank Pizani – Wanna Dance（1959）

Marion Marlowe – I Won’t Dance（1959）

Carl Spencer & The Videos – Let The Little Girl Dance

Recorded before Billy Bland’s 1960 version. Written by Carl Spencer and Henry Glover

The Austin Sisters – It Happened At The Hop（1958/08）

The Wright Brosthers – At The Hop

Pierre Challet and his Orchestra – Can-Can（from “La Boutique Fantasque”）

Danny & The Juniors – At The Hop（TV Live, American Bandstand）

Carl Spencer & The Video’s – Let The Little Girl Dance（1958）
２度目の引用。

1st Recording Of “Let The Little Girl Dance”
Some unfamiliar lyric passages in this original recording of the song…significally re-worked in 1960 by producer Henry Glover for the hit Billy Bland version

Ray Ellis & his Orch. – Like Jingle Bells（1957/11/04）
インスト。

Ray Ellis & his Orch. – Snow, Snow Beautiful Snow（1957/11/04）
シングル “Like Jingle Bells” のＢ面。
インスト。

Danny & The Juniors – At The Hop（1957/11）
orchestra and chorus conducted by Artie Singer

Danny Rapp sings lead on this huge best-seller, shown on some year-end lists as 1958’s number one record hit.

Johnny Madara & the Juvenaires – Do The Bop（1957）
キャピトル・レコードが却下した未発売曲。ディック・クラークの助言に従い題名と歌詞を変えバンド名を改めて、ABC-Paramount から発売された。

conducted by Artie Singer
NOTE: This interesting track remained unissued until the early 1990’s, and the pictured 45 scan （from around the same time） inaccurately credits Danny & the Juniors, who had been known as The Juvenaries when they made this first recording with singer-songwriter Madara. Though the track was not released in’57, Dick Clark felt that it had promise and suggested that the title & lyric be changed to “At The Hop.” So it was re-written and recorded again with Danny Rapp replacing Madara as lead vocal and the Juvenaries re-named Danny & the Juniors

Do The Bop
by Johnny Madara
© Copyright – That Philly Sound / That Philly Sound（634479361609）
50’s rock and roll and Doo-wop. The original recording of At The Hop, with Danny and The Juniors.
Genre: Rock: 50’s Rock
Release Date: 2004
Album Notes
For collectors and fans alike, DO THE BOP is the original unreleased version of the classic 50’s hit, AT THE HOP, featuring Philadelphia’s own, Johnny Madara, with Danny and The Juniors singing back-up. DO THE BOP was written by John and Dave White. It includes the doo-wop hit, SOMETIMES （WHEN I’M ALL ALONE）, also written by Dave White with Danny and The Juniors singing back-up.
This historical CD is presented by songwriter/record producer, John Madara, through THAT PHILLY SOUND, which is dedicated to the music that came out of Philadelphia during the 50’s and 60’s.
Before becoming a songwriter/record producer, John “Johnny” Madara was an artist with his first record reaching the national charts, “Be My Girl.” But fate would step in when John heard a group, The Juvenaires, singing on the street corner. The group was headed by Dave White and John and Dave soon formed a partnership.
At the time, John had a record contract with Capitol Records. Dave and John wrote a song, DO THE BOP. They went in and recorded it with the B-side, SOMETIMES （WHEN I’M ALL ALONE）. John sang the lead, and the Juvenaires sang the background. Capitol Records didn’t like it. They didn’t understand early rock and roll.
John knew Dick Clark from American Bandstand. Dick really liked the song, but suggested that the title and lyrics be changed to reflect the record hops, which were really taking off. The Bop was a dance that was on the way out.
They followed Dick’s advice. DO THE BOP became AT THE HOP. The lyrics were changed but the music was the same. The Juvenaires, which had renamed themselves Danny And The Juniors, recorded the song, along with Sometimes （When I’m All Alone）. Through ABC Paramount, who had acquired the master, AT THE HOP reached the top of the charts worldwide, and remained #1 for an astounding seven weeks, the first record to reach that success.
Along with AT THE HOP, John and Dave would go on to write and produce such timeless classics as THE FLY （Chubby Checker）, YOU DON’T OWN ME （Leslie Gore） and 1-2-3 （Len Barry, who also co-wrote the song with Madara & White）. These and countless other hits by Madara & White helped to create “The Sound of Philadelphia.”
Both songs have been digitally restored and digitally mastered.
Make this historical CD a part of your oldies record collection!
Please check out CD Baby for other CDs by That Philly Sound, and visit www.thatphillysound.com to learn more about your favorite Philly artists and groups. Thank you for your interest!

＜Johnny Madara _ Do The Bop CD Baby Music Store　より一部引用＞
https://store.cdbaby.com/cd/madarajohnny

Eydie Gorme – Mama Teach Me To Dance（1956）

Chart peaks: Music Vendor 16, Cash Box 31, Billboard 34
Transferred from the original （worn） 45rpm: ABC-Paramount 9722 – Mama, Teach Me To Dance （Manning-Hoffman） by Eydie Gorme, orchestra and chorus conducted by Sid Feller

The Platters – I’m Just A Dancing Partner（1956）

Flip side of their #1 hit “The Great Pretender”
Pop Chart Peaks: Music Vendor 46, Billboard 87

Frankie Laine with Paul Weston & his Orchestra and The Norman Luboff Choir – The Gandy Dancers’ Ball（1952/02/29）
Billboard Chart Peaks: 21 （Sales & Juke Box）, 23 （Radio Airplay）
ball は「舞踏会」。
“A gandy dancer is a railroad man”
“With his pick and his shovel and his willing hand he makes the railroad run.”
とあり、
MKT, old SP, Lehigh Valley, C&K, Sante Fe, The Southern, Sioux
といった固有名詞があるので、かつての鉄道敷設事業に関連したものかもしれない。
ほか男性名がいくつか出てくるが、そっちはあまり意味はなさそう。

Gas Mask Discotheque? | The Archivist Presents # 28

British Movietone
2016/01/12 に公開
This is all very “steampunk” – love it!
At a Dance Hall in Streatham they prove you can dance with your gas mask on.
Dancers all wearing gas masks rush across floor and pick partners. Various shots of people dancing in their gas masks. Soldiers caressing girl in gas mask. The dancers race and dance wearing their gas masks. The story ends with a soldier caressing somebody else’s wife wearing a gas mask!
Note: this was filmed in 1941 at the Locarno Ballroom in Streatham Hill, London SW16.

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1951 “The King And I” Original Cast: Shall We Dance? （Gertrude Lawrence & Yul Brynner）
orchestra conducted by Frederick Dvonch

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Abe Lyman and his Californians – Shall We Dance（1937）
vocal: Rose Blaine
ミュージカル『王様と私（The King and I）』（初演：1951）とは関係のない同名異曲。

recorded in NYC April 12, 1937
Featuring Rose Blane （Mrs. Abe Lyman）, whose name was shown as “Blaine” on Lyman’s Decca releases, this track was paired with the flipside “（I’ve Got） Beginner’s Luck”…two Gershwin tunes from the classic RKO film “Shall We Dance,” starring Fred Astaire and Ginger Rogers.

Paul Whiteman and his Orchestra – Shall We Dance?（1937）

recorded in NYC March 26, 1937
Bright treatment of the Gershwin title song from Fred & Ginger’s 1937 RKO film, recorded at Whiteman’s penultimate 1930s session for Victor. For the flip side “For You,”

Fred Astaire – Shall We Dance（1937）
orchestra conducted by Johnny Green

recorded in Los Angeles March 21, 1937
One of four Astaire recordings of hit Gershwin tunes in this collection from “Shall We Dance,” the seventh of nine RKO film appearances of the Fred Astaire-Ginger Rogers duo. See also “Let’s Call The Whole Thing Off,” “They All Laughed,” and “They Can’t Take That Away From Me.”

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Gus Arnheim and his Orchestra – On With The Dance（1937）
vocal: Jimmy Farrell
“I Only Have Eyes For You” を連想させるメロディ。

recorded in NYC July 22, 1937
This and the previously-posted flipside “Have You Got Any Castles, Baby?” were Johnny Mercer-Richard Whiting titles written for the Dick Powell collegiate musical “Varsity Show” （Warner Bros.）. Charlie Spivak （t） and Stan Kenton （p） were present for this final track to be recorded and issued commercially by the Arnheim band.

Tommy Dorsey & his Clambake Seven – The Big Apple（1937）
vocal: Edythe Wright and chorus
歌詞に「リンディホップ」「スージーＱ」といった単語が出てきます。

recorded in NYC August 13, 1937
Musical salute to the 1937 national dance craze.

Jimmie Lunceford and his Orchestra – For Dancers Only（1937）

recorded in NYC June 15, 1937
This well-known Lunceford swinger was composed and arranged by Sy Oliver, who also played trumpet in the band. A different Lunceford version recorded and issued on V-disc in the 1940s is also commonly available.

George Hall and his Hotel Taft Orchestra – I’m In A Dancing Mood（1936）
vocal: Johnny McKeever
２度目の引用。

recorded in NYC December 1, 1936
This flipside of Hall’s “The Night Is Young And You’re So Beautiful” is a song that originated in the British musical comedy （and later motion picture） “This’ll Make You Whistle.” Jack Buchanan and Elsie Randolph starred in both the stage and film versions. Tommy Dorsey’s version

Tommy Dorsey and his Orchestra – I’m In A Dancing Mood（1937）
vocal: Jack Leonard
２度目の引用。

recorded in NYC November 24, 1936
This “Hit Parade” song originated in the British musical comedy （and later motion picture） “This’ll Make You Whistle.” Jack Buchanan and Elsie Randolph starred in both the stage and film versions.

Ted Fio Rito and his Orchestra – Let’s Face The Music And Dance（1936）
vocal: Stanley Hickman
２度目の引用。

recorded in NYC January 30, 1936
One of the several popular Irving Berlin tunes presented to us on the silver screen by Fred and Ginger in “Follow The Fleet.” The sparkling RKO musical co-starred Randolph Scott and, in her first screen role, Harriet Hilliard, who had recently （October 8, 1935） become Mrs. Ozzie Nelson.

Fred Astaire – Let’s Face The Music And Dance（1936）
orchestra conducted by Johnny Green
２度目の引用。

recorded in Los Angeles January 30, 1936
#3 “Hit Parade” song is one of three Astaire tracks in this collection from the Irving Berlin score for Fred & Ginger’s “Follow The Fleet,” which co-starred Randolph Scott and Harriet Hilliard. See also “Let Yourself Go” and “I’m Putting All My Eggs In One Basket.”

Vincent Lopez and his Orchestra – Let’s Face The Music And Dance（1936）
vocal: Stanley Worth
動詞の “face” は「向く」「向き合う」「臨む」の意。
２度目の引用。

recorded in NYC January 21, 1936
One of two Lopez sides from the Irving Berlin score for Fred & Ginger’s “Follow The Fleet,” which co-starred Randolph Scott and Harriet Hilliard. See also “Let Yourself Go”:

Smith Ballew and his Orchestra – I Won’t Dance（1935）
vocal: Smith Ballew

recorded in NYC February 26, 1935
Posting the Ballew versions of two popular tunes from the 1935 film treatment of “Roberta,” neither of which had been included in the musical’s original 1933 stage production （see also “Lovely To Look At”. “Roberta” marked the third on-screen pairing for Fred Astaire and Ginger Rogers, though in supporting roles to star Irene Dunne. Such secondary status for the duo ended for good with the release of their next film “Top Hat” later in the year.

Eddy Duchin and his Orchestra – I Won’t Dance（1935）
vocal: Lew Sherwood

recorded in Camden NJ February 15, 1935
Here’s the popular Duchin version of the #2 “Hit Parade” song from the 1935 film treatment of “Roberta.” Neither this nor “Lovely To Look At” （the Duchin flip…also posted） had been included in the musical’s original 1933 stage production. “Roberta” marked the third on-screen pairing for Fred Astaire and Ginger Rogers, though in supporting roles to star Irene Dunne. Such secondary status for the duo ended for good with the release of their next film “Top Hat” later in the year.

Peter Van Steeden and his Orchestra – （Each Time You Dance With Someone Else）You’re Dancing On My Heart（1932）
vocal: Chick Bullock

recorded in NYC March 18, 1932
The flip side is “Somebody Loves You”

George Olsen and His Music – Tain’t No Sin（To Dance Around In Your Bones）（1929）
vocal: Dick Gardner
‘tain’t＝it ain’t
３度目の引用。

recorded in Culver City CA December 22, 1929
On the 78 flip side is the High Hatters track “Can’t You Understand?”

Joe Haymes and his Orchestra – Truckin’（1935）
vocal: Clifford Wetterau

recorded August 12, 1935
The classic swing tune from the Ted Koehler-Rube Bloom songbook, introduced in “Cotton Club Parade, 26th Edition.” For the popular Fats Waller version

“Fats” Waller and his Rhythm – Truckin’（1935）
vocal: “Fats” Waller

recorded in NYC August 2, 1935
Fats’ best-selling version of the swing favorite from the Ted Koehler-Rube Bloom songbook, introduced in “Cotton Club Parade, 26th Edition.”

 
最終更新日時： 2026/02/26 木曜日, 12:10