まぐれ、たなぼた、僥倖の反意語は例えば非運、凶命、貧乏くじ

 5時22分頃、千葉県東方沖震源とするやや強い地震がありました。千葉北東部で震度4を観測しました。震源の深さはおよそ60キロ、地震の規模を示すマグニチュードは5.5と推定されます。この地震による津波の心配はありません。
 各地の震度は、震度4が多古町、横芝光町
http://news.tbs.co.jp/newseye/tbs_newseye5012789.html

どういうわけかその時間の少し前に目覚めておりましたよ。
東京では震度3ですか。4は行ってると思ったけど。
東北の太平洋沖から埼玉・群馬・千葉あたりまで震源域が下がってきた感じで、東京、神奈川、静岡も うかうか してられませんね。
連休前というのに何だかヤバいムードが漂ってます。

 

in the mood for …
~したい気分(であるとか、ないとか)

in the mood to (do)
(今)~する気分(であるとか、ないとか)

moody
気分屋。お天気屋。気持ちがコロコロ変わる人。
何かの雰囲気をまとっている人という意味はない。

MFSB – My Mood(1975/10)
シングル “The Zip” のB面。

The Mary Kaye Trio – Can’t Get Out Of This Mood
from the album “Too Much”(1958)

John Lee Hooker – I’m In The Mood(1951)
Billboard “Rhythm & Blues Records” chart peaks: 1 (juke box), 2 (sales)

Mitchell Ayres and his Fashions-in-Music – Can’t Get Out Of This Mood(1942)
vocal: Meredith Blake

recorded in NYC July 31, 1942
This lovely Frank Loesser-Jimmy McHugh ballad from RKO’s “Seven Days’ Leave” was performed on-screen by Ginny Simms, backed by Freddy Martin’s orchestra. Kay Kyser’s version of “Can’t Get Out Of This Mood” was the most popular with record buyers, though this Ayres treatment is also a beauty, produced only hours before the start of the long and damaging “Recording Ban” (musicians’ union strike against the record companies).

Kay Kyser and his Orchestra – Can’t Get Out Of This Mood(1942)
vocal: Harry, Julie, Trudy, Jack and Max

The lovely Frank Loesser-Jimmy McHugh ballad from RKO’s “Seven Days’ Leave” was performed on-screen by Ginny Simms, backed by Freddy Martin’s orchestra.

Kay Kyser and his Orchestra – Moonlight Mood(1942)
vocal: Glee Club
2度目の引用。

recorded in Hollywood July 30, 1942
Between the low-gain mastering and Columbia’s mediocre wartime shellac, good clean copies of this one aren’t commonly found….but like its better-known flipside “Can’t Get Out Of This Mood”, it’s a pretty one worth hearing. Vocals by Harry, Julie, Trudy, etc.

Artie Shaw And His Orchestra – Melancholy Mood(1939)
vocal: Helen Forrest
SP盤 “Moonray” のB面。

◆    ◆    ◆

Henhouse Five Plus Too – In The Mood(1976/12)
ヘンハウス・ファイヴ・プラス・トゥー – イン・ザ・ムード
ニワトリの鳴き声による『イン・ザ・ムード』。ファイアハウス・フイヴ・プラス2をもじったネーミング。

Pop Chart Peaks: Cash Box 37, Billboard 40, Record World 45 – C&W Peak: 39 – A/C Peak: 38 – UK Peak (credited as by Ray Stevens): 22 (NME)
A clucked-up treatment of the Swing Era standard by (an unbilled) Ray Stevens…what would Glenn Miller think??

<参考>
South – Firehouse Five Plus Two 1951
erwigfilms
2011/03/08

The Rocking Ghosts – In The Mood(Denmark:1964/10)

B.Bumble And The Stingers – In The Mood(1963/04)

Crazy Otto – In the Mood(1955/03)

Johnny Maddox and the Rhythmasters – In The Mood(1953)

Piano instrumental update of the swing-era standard peaked at #16 on Billboard’s juke box chart in early’53.

Teddy Wilson and his Orchestra – In The Mood(1940)
recorded in NYC January 8, 1940

Artie Shaw and his Orchestra – In the Mood
From The Album “1938-39 Old Gold Shows”(US:1991)
Recording Dates: 1938/12/18

Al Donahue and his Orchestra – In The Mood(1939)
vocal: Paula Kelly
歌入りバージョン。

recorded in NYC November 8, 1939
One of the early Andy Razaf lyrical versions of the swing era classic.

Glenn Miller and his Orchestra – In The Mood(1940 original version)
2度目の引用。

Recorded back in August 1939, the most recognizable track of the Swing Era eventually emerged to spend three months of early 1940 as the #1 most played jukebox hit in America.

Edgar Hayes and his Orchestra – In The Mood(1938)

recorded in NYC February 17, 1938
1st Recording Of “In The Mood”
Featuring a riff which had previously appeared in several differently-titled instrumental recordings by various artists, this Joe Garland arrangement was the first to be issued under the title “In The Mood.” 17 months after this session, Glenn Miller would record his famous version, though without some of the melodic elements included in this earlier arrangement.

◆    ◆    ◆

Harold White and his Orchestra – I Was In The Mood(1934)
vocal: Will Osborne

recorded in NYC February 15, 1934
Will Osborne (as “Harold White”
Recording under a pseudonym for this particular session, Osborne does a nice job with the 1934 song hit.

Emil Coleman and his Palais Royal Orchestra – I Was In The Mood(1934)
vocal: Jerry Cooper
「ンーンー」というハミングが耳に残る。

recorded in NYC January 11, 1934
The flip side is “Without That Certain Thing”. Other posts of “I Was In The Mood” include Eddy Duchin Will Osborne and George Hall

Eddy Duchin and His Orchestra – I Was In The Mood(1934)
vocal: Lew Sherwood

recorded January 5, 1934 (actual label scan not available)
Lew Sherwood vocal on what was purportedly the most popular recorded version of this early 1934 tune. Eddy and the band even get a bit energetic on the final chorus!

George Hall and his Orchestra – I Was In The Mood(1934)
vocal: Loretta Lee

recorded in NYC December 27, 1933
Loretta Lee served as band vocalist prior to Dolly Dawn, who would not appear on George Hall recordings until July 1935.

 

今月22日に山口県和木町の化学工場で起きた爆発火災で、重さ6トンもの破片が現場から700メートル離れた場所に落ちていたことが分かりました。
 見つかった破片は爆発したプラントの一部とみられ、直径6メートル、重さ6トンです。近所の住民が現場からおよそ700メートル離れた川の中で見つけました。
 爆発火災は、今月22日未明、山口県和木町の三井化学岩国大竹工場で起きたもので、1人が死亡、22人がけがをしました。
http://news.tbs.co.jp/newseye/tbs_newseye5012782.html

この破片が人に当たる確率は、北朝鮮ミサイルの破片が当たるより、高かったんじゃないかな。
そういや先日は巨大トレーラーが竜巻に巻き上げられて宙を飛んでるアメリカの映像をやってましたっけね。
巨大で重たいロケットやジェット機が宙を飛ぶのも考えてみれば、実にアメージングです。

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