日別アーカイブ: 2013/01/02 水曜日

Me and Mrs. Tôyama

「巳年」が幕を開けた。
(中略)
 国内外の出来事では、1917年にロシア革命が起き、ソビエト政権が樹立。29年は世界大恐慌が始まり、41年は太平洋戦争が開戦した。89年は日本国内に消費税が導入され、ベルリンの壁が崩壊した。21世紀の幕開けとなった2001年は米中枢同時テロが発生した。
http://headlines.yahoo.co.jp/hl?a=20130101-00000301-fukui-l18

世界に大きな影響を与えた事件・動乱・大変が多いですね。
巳年というのはそういう年かな。

130102_01
(上)東京コミックショウのヘビ

では巳年(みどし)にちなんで、トミー・ドーシー楽団をドーゾ。

Tommy Dorsey and his Orchestra – Boogie Woogie(1938 / re-charted 1943)

recorded NYC September 16, 1938
Among the most enduring record hits of the era, Deane Kincaide’s catchy arrangement of the Pine Top Smith piece was not only a best-seller in 1938 but it returned to Billboard’s top-5 sales chart in January 1944 and again in September 1945.

◆    ◆    ◆

<以下、参考>

ミード・ルクス・ルイス:ホンキートンク・トレイン・ブルース|シルヴァン・ジング × カワイグランドピアノ GX-6
河合楽器製作所
2025/05/13

Phil Haley and his Comments – Honky Tonk Train Blues
from the album “Rocket 88″(UK:2010)

Hutch Davie and his Honky Tonkers – Honky Tonk Train(1958/03)
シングル “Woodchopper’s Ball” のB面。

On the 45 flip of Davie’s mid-charting “Woodchopper’s Ball” was this late-1920s Meade Lux Lewis composition, remembered by many from the 1938 Bob Crosby recording

Milt Herth Trio – Honky Tonk Train Blues(1940)
2度目の引用。

recorded April 15, 1940
Milt Herth-Hammond organ, Marty Jacobs-piano, Jack Conner-drums – Boogie-woogie pianist-composer Meade Lux Lewis first recorded his signature tune in 1927 for the Paramount label.

Bob Crosby & his Orchestra – Honky Tonk Train(1938)
SP盤 Bob Haggart, Ray Bauduc “The Big Noise From Winnetka” のB面。

featuring Piano by Bob Zurke
recorded in Chicago October 19, 1938.
Aka “Honky Tonk Train Blues,” the famous boogie-woogie piano number had been introduced in 1927 by its composer Meade “Lux” Lewis. This Crosby-Zurke version was issued on the flipside of Haggart & Bauduc’s “The Big Noise From Winnetka.”

Meade “Lux” Lewis – Honky Tonk Train Blues(Blue Note:1940)
Recorded at Reeves Sound Studios, New York City, New York. October 4, 1940

Meade Lux Lewis – Honky Tonk Train Blues(paramount:1927)
オリジナル録音。

Meade “Lux” Lewis – Honky Tonk Train(Bluebird:1939/03/07)
Meade “Lux” Lewis – Honky Tonk Train Blues(Vicror:1937)
Meade Lux Lewis – Honky Tonk Train Blues(UK Parlophone:1936)eco. 1935/11/21, Chicago.
と、各レーベルからリリースされているが、テイクの異同は未確認。

◆    ◆    ◆

<参考>
“Pine Top” Smith – Pine Top’s Boogie Woogie(1929)

(vocal with piano)
recorded in Chicago December 29, 1928
Also commonly spelled “Pinetop,” boogie-woogie pianist Clarence Smith had been given his nickname as a child from his liking for climbing trees. It was this recording that later provided the inspiration for Tommy Dorsey’s classic big band hit “Boogie Woogie.” Smith died from a gunshot wound in a Chicago dance-hall fight only weeks after he made this track.

<参考>
Will Bradley Trio – Down The Road A Piece(1940)
vocal: Ray McKinley and Don Raye
4度目の引用。

recorded in NYC August 12, 1940
1st Recording Of “Down The Road A Piece”
Ray McKinley-drums, ‘Doc’ Goldberg-bass, Freddie Slack-piano. Recorded over the years by various jazz, blues, and rock artists, this was one of several popular 1940s ‘boogie-woogie’ themed hits written by Don Raye, who is heard here trading lines with McKinley (the label incorrectly credits Bradley as vocalist).

<参考>
Dolly Dawn and her Dawn Patrol Boys – Pig-Foot Pete(1942)
George Hall’s orchestra
2度目の引用。

recorded in NYC December 1, 1941.
Oscar-Nominated Song
*(NOT from the) Movie: “Hellzapoppin'” (Mayfair/Universal), starring Ole Olsen, Chic Johnson, Martha Raye, Hugh Herbert, and Jane Frazee.
*Per the IMDb: This nomination is a mystery. Both the nominations list and the program from the Awards dinner list the song as being from’Hellzapoppin’,’ a 1942 release for Awards purposes. The song does not appear in that film, but did appear in’Keep’Em Flying,’ a 1941 release from the same production company and studio, and was therefore ineligible for a 1942 nomination. Martha Raye had performed it in that earlier film.

<参考>
Clara Lewis – Clara’s Boogie(1945)

<参考>
Ella Mae Morse and Freddie Slack with Rhythm Section – Pig Foot Pete(1946)
vocal: Ella Mae Morse
2度目の引用。

recorded in Los Angeles April 24, 1946
Performed by Martha Raye in the 1941 Abbott & Costello film “Keep’Em Flying,” this had been recorded at the time by Dolly Dawn & Her Dawn Patrol Boys

<参考>
Erskine Hawkins and his Orchestra – Hawk’s Boogie(1946)

recorded October 7, 1946
The composer credits for this boogie-woogie instrumental include leader Hawkins and his pianist Asa “Ace” Harris, who is also remembered for his keyboard accompaniment on the many classic Ink Spots recordings of the early 1940s. In mid-1947 the record peaked at #2 on Billboard’s weekly R&B chart (then named “Most-Played Juke Box Race Records”).

<参考>
Teddy Raymore Trio – Ted’s Boogie(1948/01)
SP盤 “I’ve Never Been To School” のB面。

<参考>
Tommy Dorsey and his Orchestra – – T.D.’s Boogie Woogie(1950)

recorded August 1950
(origin of “Jay-Dee’s Boogie Woogie”)
By 1950 Tommy and RCA Victor had parted ways and he was now recording for Decca. Among the more interesting Dorsey efforts that year was this re-thinking of his classic 1938 recording of “Boogie Woogie,” a tune inspired by the Pine Top Smith composition with both the old and new arrangements (AFAIK) by Deane Kincaide.
In June 1957, following the recent deaths of both Tommy and Jimmy Dorsey, the existing Dorsey band was now under the direction of Lee Castle and was riding high with its recent million-selling hit “So Rare,” which had been issued under Jimmy Dorsey’s name and had featured Jimmy on sax. For one side of the follow-up single, Dick Stabile performed a Dorsey-style solo on “June Night,” and on the flip was a souped-up arrangement of this 1950 TD instrumental, renamed “Jay-Dee’s Boogie Woogie.” The 1957 “Jimmy Dorsey Orchestra” version was taken at a faster clip and dropped the final cooled-down trombone solo in favor of a loudly-building riff with a strong closing (perhaps more appropriate for the younger rock’n roll generation).
Two notes: Lee Castle had been in the TD trumpet section for the original 1938 “Boogie Woogie” session date; and the 1945 Jimmy Dorsey recording called “JD’s Boogie Woogie” was a different tune from the Pine Top Smith variations discussed here.

<参考>
Jimmy Dorsey Orchestra – Jay-Dee’s Boogie Woogie(1957)

In June 1957, following the recent deaths of both Tommy and Jimmy Dorsey, the existing Dorsey band was now under the direction of Lee Castle and was riding high with its recent million-selling hit “So Rare,” which had been issued under Jimmy Dorsey’s name and had featured Jimmy on sax. For one side of the follow-up single, Dick Stabile performed a Dorsey-style solo on “June Night” and on the flip was this souped-up arrangement of the 1950 Tommy Dorsey instrumental “T.D.’s Boogie Woogie,” renamed “Jay-Dee’s Boogie Woogie.” The 1950 TD recording had been a re-thinking of the band’s classic 1938 hit “Boogie Woogie,” inspired by the earlier Pine Top Smith recording. To confuse matters a bit further, Jimmy Dorsey had released a Decca single in 1946 titled “JD’s Boogie Woogie” which bore no resemblance to any of the Pine Top variations.

<参考>
The Gaylords – Plantation Boogie(1955)
orchestra conducted by George Annis
歌入りバージョン。
シングル “Mambo Rock” のB面。

Vocal version of organist Lenny Dee’s 1955 instrumental hit

<参考>
Red Foley – Plantation Boogie(1955/04)

<参考>
Pee Wee King – Plantation Boogie(1955)

<参考>
Buddy Cole with The Wood Sisters – Plantation Boogie(1955)
Deutsche

<参考>
Lenny Dee – Plantation Boogie(1954/11/20)
シングル “The Birth Of The Blues” のB面。

organ instrumental
Following in the footsteps of Milt Herth and Ethel Smith, Lenny Dee established himself as the leading Hammond organ performer/recording artist during the 1950s and’60s. His top-20 hit “Plantation Boogie” was named after the Nashville club The Plantation Inn where he was’discovered’ by Red Foley.

<参考>
Lionel Hampton and his Orchestra – Hamp’s Boogie Woogie(1944)

Earl Bostic’s alto sax is heard on this Hampton winner…six weeks atop the Billboard R&B rankings.

<参考>
Meade Lux Lewis – Boogie Woogie(1944)

<参考>
Honey Hill – Boogie Woogie(1940)

<参考>
Meade Lux Lewis, Pete Johnson, Albert Ammons – Boogie Woogie Prayer(Parts 1 & 2)(1939)

<参考>
Tampa Red – Boogie Woogie Dance(1931/05)
First recording on January 28, 1931
First release

<参考>
Paul Davis – Boogie Woogie Man(1972/12)
ポール・デイヴィス
from the album “Paul Davis”(1972)
「私はただブギウギマンになりたいだけ。できる限り最善を尽くし、自分の歌で生計を立てている。ブギウギマンとブギウギバンド、一晩中ブギウギを歌っている」といった内容。

produced by Chips Moman & Paul Davis
(debuted late ’72) 1973 Pop Chart Peaks: Record World 67, Billboard 68, Cash Box 79

 

 総務省が大みそかに今年の年男・年女となる巳年生まれの人口を発表をした。巳年生まれの年男は494万人、年女が526万人、合計1020万人となり、十二支の中では10番目の多さになるという。芸能界の巳年生まれを挙げてみた。
 最も若いのは、は2001年(平成13年)生まれの人気子役・加藤清史郎。今年公開の映画「忍たま乱太郎」第2弾の主演が決まっており、少し大人になった清史郎くんが見れそうだ。
 今年24歳になる1989年(平成元年)生まれには若手イケメン俳優から着実に実力をつけてきた佐藤健、岡田将生、三浦翔太、溝端淳平、賀来賢人が年男となる。女性アイドル陣では、AKB48の梅田彩佳、倉持明日香、モーニング娘。リーダー道重さゆみと今春に卒業が決まっている田中れいな。さらに、昨年大活躍だった女優・桐谷美玲、多部未華子、仲里依紗、歌手・西野カナが年女になる。
 1977年(昭和52年)生まれの年男は、香取慎吾(SMAP)、松岡昌宏(TOKIO)と北川悠仁(ゆず)、そして氷川きよしとコブクロの小渕健太郎、黒田俊介の2人とアーティストが挙げられる。お笑い芸人では、劇団ひとり、山里亮太(南海キャンディーズ)も。女性陣では、昨年デビュー20周年を迎え5大ドームツアーを成功させた安室奈美恵ほか、女優では、松たか子、菅野美穂、伊東美咲、紺野まひる、小沢真珠、佐藤藍子。滝川クリステル、鈴木紗理奈も巳年だ。
 1965年(昭和40年)生まれの年男は、太田光(爆笑問題)(南原清隆(ウッチャンナンチャン)、ヒロミ(B21スペシャル)、江頭2:50、レッド吉田(TIM)ら個性的なお笑い芸人が多い。役者では、本木雅弘、仲村トオル、上川隆也、中村橋之助(歌舞伎)、高嶋政宏、津田寛治、吹越満ら実力派俳優が揃い、YOSHIKI、吉川晃司、奥田民生、前田亘輝(TUBE)、岡村靖幸らアーティストも名前を連ねる。年女には、ドリカム・吉田美和、中森明菜、松本伊代、柏原芳恵、草刈民代、岡本夏生、中井美穂(フリーアナウンサー)が。
 1953年(昭和28年)の年男は、関根勤、山下達郎、稲垣潤一、萩原流行、三田村邦彦が、年女には研ナオコ、小林幸子、島田陽子、竹下景子、中田喜子が今年還暦を迎える。
 1941年(昭和16年)生まれには、萩本欽一、徳光和夫、石坂浩二、岩下志麻、三田佳子が巳年だ。
 一般的に巳年は「粘り強い」性格と言われることが多いが、あなたのまわりの巳年生まれはいかがだろうか。
http://topics.jp.msn.com/entertainment/movie/article.aspx?articleid=1597119

なぜ十二支にヘビが入っているのでしょうか?
犬や牛、虎などの哺乳類が中心な十二支オールスターズに、なぜ爬虫類のヘビが昂然とメンバー入りしているのでしょうか?
諸説ありますが、そもそも十二支はどうして決まったのかというと、このような民話が語り継がれています。
昔々の大昔のある年の暮れのこと、神様が動物たちにお触れを出したそうな。
「元日の朝、新年の挨拶に出かけて来い。一番早く来た者から十二番目の者までは、順にそれぞれ一年の間、動物の大将にしてやろう」
その結果、ねずみ、牛、虎、兎、龍、蛇、馬、羊、猿、鶏、犬、猪の順で着いたので、このような順番になったそうです。馬より早くゴールするとは、蛇もなかなか素早いですね。兎に負ける龍もどうかと思いますが。
ちなみに、猫もレースに参加しました。しかし神様のところにいつ行けばよいのかわからず、ねずみに尋ねると、ねずみはわざと一日遅れの日を教えたので、猫が神様のところへ着いたのは翌日となってしまい、十二支から漏れてしまいました。それで猫は今でもねずみを恨んで追い回しているという、そんな逸話も残っています。
そんな十二支レースに5位入賞のヘビ。
http://www.nicheee.com/archives/1874793.html

外国の、造物主としての神は、たいてい意地悪で残酷。製造者責任もどこ吹く風(笑)
挨拶に来いだなんて、まるでやくざの親分。ろくなもんじゃないネ。

Mickey Hawks – Me And My Harley Davidson(1989)
2度目の引用。

Rex Allen Jr. – Me and My Broken Heart(1979)

Bobby Goldsboro – Me And Millie(1977/06)

War – Me and Baby brother(1974)

David Ruffin – Me And Rock And Roll(Are Here To Stay)(1974/10/10)
2度目の引用。

Larry Trider – Me and Paul
from the album “Country Soul Man”(1974/07/04)

War – Me And Baby Brother(1973/10 stereo 45)
ウォー – ベイビー・ブラザー
2度目の引用。

produced by Jerry Goldstein
(debuted late’73) 1974 Pop Chart Peaks: Cash Box 12, Record World 14, Billboard 15 – 1973 R&B Peak: 18 – 1976 UK Peak: 21 (BMRB)

War – Me And Baby Brother(1974 mono radio promo 45)
2度目の引用。

produced by Jerry Goldstein
(debuted late ’73) 1974 Pop Chart Peaks: Cash Box 12, Record World 14, Billboard 15 – 1973 R&B Peak: 18 – 1976 UK Peak: 21 (BMRB)

Sperrmull – Me And My Girlfriend(1973)

Billy Paul – Me And Mrs. Jones(1972/09/13 stereo 45, 4:42 version)
ビリー・ポール – ミー・アンド・ミセス・ジョーンズ
A.O.R.的なものの胎動が感じられる。
2度目の引用。

arranged by Bobby Martin
produced by Gamble-Huff
Pop Chart Peaks: #1 on Billboard, Cash Box & Record World – R&B Peak: 1 – A/C Peak: 10 – 1973 UK Peak: 8 (NME)
This Grammy winning million-seller performance was commonly heard on AM radio in an edited 3:37 version which also found its way onto some of the commercial 45s (though retaining the incorrect 4:42 label timing). The professional identity of “Billy Paul” was a reversal of sorts from his real name Paul Williams, the same name already used by three other musical figures of note.

Billy Paul – Me And Mrs. Jones(1972 mono radio promo 45 short version)
2度目の引用。

produced by Gamble-Huff
Pop Chart Peaks: #1 on Billboard, Cash Box & Record World – R&B Peak: 1 – A/C Peak: 10 – 1973 UK Peak: 8 (NME)
A Grammy winning million-seller performance. The “Billy Paul” professional identity was a reversal of sorts from his real name Paul Williams, the same name already used by three other musical figures of note.

Jr. Walker & The All Stars – Me And My Family(1972/06)
シングル “Groove Thang” のB面。

Paul Simon – Me And Julio Down By The Schoolyard(1972/03/20 stereo 45)
ポール・サイモン – ぼくとフリオと校庭で
from the album “Paul Simon”(1972/01/14)ポール・サイモン
『ラ・バンバ』風アレンジ。
2度目の引用。

produced by Paul Simon & Roy Halee
Pop Chart Peaks: Cash Box 7, Record World 9, Billboard 22 – A/C Peak: 6 – UK Peak: 15 (BMRB)
Followup single release to Paul’s first solo hit “Mother And Child Reunion.”

Paul Simon – Me And Julio Down By The Schoolyard(1972 mono radio promo 45)

produced by Paul Simon & Roy Halee
Pop Chart Peaks: Cash Box 7, Record World 9, Billboard 22 – A/C Peak: 6 – UK Peak: 15 (BMRB)
Followup single release to Paul’s first solo hit “Mother And Child Reunion.”

Tom T. Hall – Me And Jesus(1972/03)
トム・T・ホール – ミー・アンド・ジーザス
歌詞には
“We can’t afford any fancy preachin’
We can’t afford any fancy church
We can’t afford any fancy singin'”
「おごそかな説教も壮麗な教会も華麗な賛美歌も要らない」
とあり、いかにもイエスと自身が直結しているプロテスタントという感じ。
2度目の引用。

Nilsson – Me And My Arrow(US:1971/02, UK:1971/04/23, stereo 45)
ニルソン – アローは友だち
ABCテレビが1971/02/02に放送したアニメ『オブリオの不思議な旅』(The Point!)の挿入歌。
アローは犬の名前。

arranged & conducted by George Tipton
produced by Nilsson
Pop Chart Peaks: Record World 22, Cash Box 27, Billboard 34 – Easy Listening Peak: 3
One of the numbers written and sung by Harry Nilsson in the animated TV film “The Point,” which premiered on the ABC Movie of the Week and was narrated (for only that first broadcast) by Dustin Hoffman. Ringo Starr is heard as narrator on the home video releases.

<参考>
Harry Nilsson’s THE POINT (1971) – Alan Thicke Narration – Third Telecast Restoration

Jerry Lee Lewis – Me and Bobby McGee(1971/01)

Janis Joplin – Me And Bobby McGee(1971/01/12 stereo 45)ミー・アンド・ボビー・マギー
from the album “Pearl”(1971/01/11)
日本盤シングル(1971/04)では “Move Over”(ジャニスの祈り)のB面だった。

produced by Paul Rothchild
Pop Chart Peaks: Billboard & Record World 1, Cash Box 3
First recorded in 1969 by Roger Miller, this Kristoffersong reached its peak of popularity via the Joplin posthumous release. She had recorded it for her upcoming “Pearl” LP only a few days before her death in early October 1970. Kris K credited Monument Records chief Fred Foster as co-writer for having suggested the song’s title.

Roy Harper – Me and My Woman(1971)

  ※(追記:この動画は削除されました

 

Fuchsia – Me and My Kite(1971)

Geoff & Maria Muldaur – Me and My Chauffeur Blues
from the album “Pottery Pie”(1970)

Luther Ingram – My Honey And Me(1969/10)

produced by Johnny Baylor
(debuted late ’69) 1970 Pop Chart Peaks: Record World 42, Cash Box 47, Billboard 55 – R&B Peak: 19

Roger Miller – Me And Bobby McGee(1969/06 version)

produced by Jerry Kennedy
recorded May 16, 1969
1st Recording Of “Me And Bobby McGee”
Miller also did a different remake version in the’70s, but this was his original of the song that would later become a #1 country hit for Jerry Lee Lewis and #1 pop for Janis Joplin

Strawberry Alarm Clock – Me And The Township(1969/04)

Keef Hartley Band – Me And My Woman(1969)

  ※(追記:この動画は削除されました

 

Fats Domino – Everybody’s Got Something to Hide Except For Me and My Monkey(1969)

Bobby(Boris)Pickett – Me And My Mummy(1968)
50年代ロッカバラード風のコミックソング。

Jefferson Airplane – Ballad of You and Me and Pooneil(live 1967)
2度目の引用。

The Ovations – Me And My Imagination(1966/10)
2度目の引用。

Mary Wells – Me And My Baby(1966/09)
シングル “Fancy Free” のB面。

The Magictones – Me And My Baby(1966)
シングル “Got To Get A Little Closer” のB面。

Servaas and The Noblemen – Me And My Lonely Tambourine(1965)

Out of New York from December 1965, the first of only two known singles by this obscure musical outfit (the second disc was issued in 1967 on Lynde Records). Nice full production on both sides, but the tiny record label didn’t stand a chance in getting it any exposure for national success. Producer, BOB SCHWAID, was also involved with notable singles by Linda Elliot on Josie, Gwen Richardson on CB, Madeline Wilson on Samar and Miriam Makeba on Reprise just to name a few.

Joni Mitchell – Me and My Uncle(TV live 1965)

Fran Lori – My Sister And I(Love The Same Guy)(1964/05)

Dickey Lee – Me And My Teardrops(1964)

Bobby Sherman – Just For Me And My Girl(1964)

  ※(追記:この動画は削除されました

 

The Four J’s – For Me And My Gal
Unreleased Jamie master

Andy Starr – Me And The Fool(1963)
2度目の引用。

<参考>
Ray Melton – You And Johnny Smith(1960)

<参考の参考>
Johnny And The Jills – Poor Little Johnny Smith(1960)

Russ Aladdin – Me And My Lover(1959)

Best of Enemies(Main Title) – Me and the Colonel(Ost) [1958]
George Duning & George Duning Orchestra

Jimmy Dell – Me And My Big Mouth
Recorded 1958 by RCA Victor,but first published 1983 by Bear Family Records.

Alan Dale – Me’N’ You’N’ The Moon(1956/06)

Dean Martin – Me’N’ You’N’ The Moon(1956)
From The Motion Picture “Pardners”
(1998 Remastered)

 

Perry Como – For Me and My Gal(1955)

Rosemary Clooney – Botch-A-Me(TV live 1952)

John Lee Hooker – Just Me and My Telephone(1951)

Roy Rogers – Me And My Teddy Bear(1950)

  ※(追記:この動画は削除されました

 

Al Jolson – For Me And My Gal(1947)

  ※(追記:この動画は削除されました

 

Mildred Bailey – Me And The Blues(1946)

Cindy Walker – Me And The Moon Aren’t Speaking(1944)
2度目の引用。

Judy Garland and Gene Kelly – For Me And My Gal(1943)
orchestra conducted by David Rose
ジーン・ケリーのデビュー作。
2度目の引用。

This grand old 1917 tune provided the title for MGM’s late 1942 musical release “For Me And My Gal,” which starred Judy and Gene. Their recording made it to #3 on Billboard’s sales charts and featured Garland’s then-husband David Rose conducting the session.

Abe Lyman and his Californians – For Me And My Gal(1942)
vocal: Bill Sherman

recorded in NYC May 19, 1942
This grand old 1917 tune made a comeback in’42 via the MGM musical “For Me And My Gal,” which starred Judy Garland and Gene Kelly.

Rita Hayworth – Me And My Fella And A Big Umbrella
from the 20th Century Fox musical “My Gal Sal”(1942)
2度目の引用。

  ※(追記:この動画は削除されました

 

Memphis Minnie – Me And My Chauffeur Blues
chauffeur(ショウフェア)は運転手、ドライバー、馭者の意。

Recorded In Chicago, 1941
Memphis Minnie – voc / g
Little Son – g
Unknown – b

Fred Astaire – Me And The Ghost Upstairs
From the movie “Second Chorus”(1940)

  ※(略)

 

◆    ◆    ◆

Joe Haymes and his Orchestra – Me, Myself And I(Are All In Love With You)(1937)
vocal: Clyde Rogers
recorded in NYC June 7, 1937

Billie Holiday – Me Myself And I(Take 2)(1937)

Billie Holiday – Me Myself And I(1937)

◆    ◆    ◆

Robert Johnson – Me And The Devil Blues(1937)
2度目の引用。

Billy Cotton and his band – Me and The Moon(1936)
vocal: Alan Breeze
2度目の引用。

Bing Crosby – Me And The Moon(1936)
orchestra conducted by Victor Young
口笛が入る。
2度目の引用。

recorded in Los Angeles August 19, 1936
This song climbed to #6 on the weekly “Your Hit Parade’ radio survey.

Joe Reichman and his Orchestra – Me And The Moon(1936)
vocal: Buddy Clark
2度目の引用。

recorded in NYC July 28, 1936
Nice ARC release of a ballad that climbed to #6 on “Your Hit Parade,” also recorded by Bing Crosby, Hal Kemp, Richard Himber, Jimmie Lunceford, Victor Young & Shep Fields. On the flip side is the Gershwins’ “I Got Plenty O’ Nuttin'”

Hal Kemp and his Orchestra – Me And The Moon(1936)
vocal: Maxine Grey
2度目の引用。

recorded in NYC July 14, 1936
This song climbed to #6 on the weekly “Your Hit Parade” radio survey. See also the 78 flip side “A Star Fell Out Of Heaven.”

Richard Himber and his Ritz-Carlton Orchestra – Picture Me Without You(1936)
vocal: Stuart Allen
3度目の引用。

recorded in NYC July 27, 1936
Shirley Temple song from her 1936 feature “Dimples” (label shows the film’s working title “The Bowery Princess”). The Himber flipside “The World Is Mine”. Artie Shaw, Bunny Berigan and Adrian Rollini were among the musicians playing on this session.

Paul Whiteman and his Orchestra – A Picture Of Me Without You(1935)
vocal: Ramona & Ken Darby
3度目の引用。

recorded in NYC September 7, 1935
One of Cole Porter’s creative “list songs,” written for his 1935 musical “Jubilee” which also introduced the Porter standards “Begin The Beguine” and “Just One Of Those Things,” as well as “Me And Marie,” which is the also-posted Whiteman flip side.

Johnny Green and his Orchestra – Me And Marie(1935)
vocal: Jimmie Farrell

recorded September 4, 1935
The 1935 Cole Porter-Moss Hart musical “Jubilee” gave us not only “Begin The Beguine” and “Just One Of Those Things,” but also this happy’old-timey’ tune.

Cleo Brown – Me And My Wonderful One(1935)

Ted Weems and his Orchestra – Me And The Man In The Moon(1928)
vocal: Arthur Jarrett
recorded in Camden NJ December 7, 1928

Helen Kane – Me and the Man in The Moon(1928)

Charted at #8 in 1929. B-side of “Don’t Be Like That” which itself charted at #16. This song also charted at #19 for Cliff Edwards (which I’ve also posted), and #12 for Ted Weems and His Orchestra, both in 1929. Recorded December 20, 1928. Orchestra directed by Leonard W. Joy. Written by Edgar Leslie and James V. Monaco.

Cliff Edwards – Me And The Man In The Moon(1928)
a.k.a. Ukulele Ike

◆    ◆    ◆

Linda Lawson – Me And My Shadow
from the album “Introducing Linda Lawson”(1960)

The Mills Bros. – Me And My Shadow(1958/08)
orchestra conducted by Milton Rogers
from the album “Mmmm … The Mills Brothers”(1958)
R&B風のアレンジ。

The 1927 song hit had been introduced and popularized on record by ‘Whispering’ Jack Smith

Judy Garland – Me and My Shadow
from the album “Alone”(1957)

Donald O’Connor – Me and My Shadow
from the movie “Feudin’, Fussin’ and A-Fightin'”(1948)

  ※(追記:この動画は削除されました

 

Nat Shilkret and the Victor Orchestra – Me And My Shadow(1927)
vocal: Johnny Marvin

recorded in NYC May 12, 1927
Bright dance-tempo version of the familiar standard, also popularized on record by’Whispering’ Jack Smith.

Jack Smith(The Whispering Baritone) – Me And My Shadow(1927 78 single version))
with Dave Dreyer (piano)

recorded in NYC April 28, 1927
Purportedly the top-selling early version of this familiar standard. When RCA Victor issued the title on LP during the 1960s they used an alternate take from the same session which is also available elsewhere on YouTube.

◆    ◆    ◆

Bar Harbor Society Orchestra – Me And The Boy Friend(1924)

Prince’s Orchestra – For Me And My Gal(1917)
(Intro: Yaddie Kaddie Kiddie Kaddie)
conducted by Charles A. Prince
recorded in NYC March 7, 1917

Van and Schenck – For Me And My Gal(1917)
orchestra conducted by Rosario Bourdon

recorded in Camden NJ March 1, 1917
Popular early version of the familiar standard features Vaudeville and recording duo Gus Van (baritone) and Joe Schenck (tenor).

以下、「Mr.」「Mrs.」を含む投稿。

以下、「干支」関連の投稿。

以下、「年号」関連の投稿。

追加記事

Yves Montand – La Légende Du Boogie-Woogie(1947)

Boogie Woogie – It’s Time to Boogie Woogie!
Jazz and Blues Experience
2018/06/22 に公開

0:00:00 Benny Goodman Orchestra – Roll’Em(1937)
0:03:09 Count Basie Orchestra – Boogie Woogie(I May Be Wrong)(1937)
0:06:01 Glenn Miller Orchestra – One O’ Clock Jump(1940)
0:09:52 Tommy Dorsey Orchestra – Stomp It Off(1939)
0:13:36 The New Orleans Feetwarmers – Maple Leaf Rag(1932)
0:16:30 Bob Zurke Orchestra – Cow Cow Blues(1940)
0:19:15 Bob Crosby Orchestra – Honky Tonk Train Blues(1938)
0:0:22:24 Harry James Orchestra – Back Beat Boogie(1939)
0:25:07 Tommy Dorsey Orchestra – Boogie Woogie(1938)
0:28:13 Tommy Dorsey Orchestra – The Dipsy Doodle(1937)
Voc.: Edythe Wright
0:31:23 Bob Zurke Orchestra – Rhumboogie(1940)
0:34:10 Bob Zurke Orchestra – Cuban Boogie Woogie(1939)
0:36:45 Benny Goodman Sextet – Grand Slam(1940)
0:39:34 Andy Kirk’s Twelve Clouds Of Joy – Little Joe From Chicago(1938)
0:42:25 Woody Herman And His Four Chips – Chips Boogie Woogie(1940)
0:44:58 Pete Johnson and his Boogie Woogie Boys – Baby Look At You(1939)
0:47:57 Erskine Hawkins Orchestra – Gabriel Meets The Duke(1940)
0:51:01 Woody Herman Orchestra – Indian Boogie Woogie(1938)
0:54:10 Earl Hines Orchestra – Boogie Woogie On St. Louis Blues(1940)
0:57:00 Albert Ammons’ Rhythm Kings – Boogie Woogie Stomp(1936)
0:59:56 Benny Carter Orchestra – Boogie Woogie Sugar Blues(1940)
1:03:02 Count Basie Orchestra – Gone With “What” Wind(1940)
1:05:52 Sidney Bechet(Sop), Sonny White(p), Charlie Howard(g), Wilson Myers(b, Voc), Kenny Clarke(Dm) Preachin’ The Blues(1940)
1:08:55 Harry James And The Boogie-Woogie Trio – Woo Woo(1939)
1:12:08 Harry James And The Boogie-Woogie Trio – Boo-Woo(1939)
1:15:07 Harry James Orchestra – Two O’ Clock Jump(1939)

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