- せっかくの秋だから孤独を噛みしめよう（８） 續 more register movement
- せっかくの秋だから孤独を噛みしめよう（７） 續 more register movement
- せっかくの秋だから孤独を噛みしめよう（６） 續 more register movement
- せっかくの秋だから孤独を噛みしめよう（５） 續 more register movement
- せっかくの秋だから孤独を噛みしめよう（４） 續 more register movement
- せっかくの秋だから孤独を噛みしめよう（３） 續 more register movement
- せっかくの秋だから孤独を噛みしめよう（２） 續 more register movement
- せっかくの秋だから孤独を噛みしめよう（１） 續 more register movement
Gordon Jenkins and his Orchestra and The Weavers – Lonesome Traveler（1950）
Hank Williams with his Drifting Cowboys – Long Gone Lonesome Blues（1950/03）
裏声を活かしたヒット曲。
２度目の引用。
Son Hank Williams Jr. was not yet a year old when his daddy topped the charts with this release; and it was the same song that would successfully kick off his own recording career at age 14 in early 1964
Tommy James & The Shondells – I’m So Lonesome I Could Cry
from the album “It’s Only Love”（1966）
B.J. Thomas and the Triumphs – I’m So Lonesome I Could Cry（1966/01）
２度目の引用。
Pop Chart Peaks: Record World 5, Billboard 8, Cash Box 9
This Hank Williams country classic was Billy Joe Thomas’ first national hit.
Hank Williams With His Drifting Cowboys – I’m So Lonesome I Could Cry（1949）
SP盤 “My Bucket’s Got A Hole In It” のＢ面。
２度目の引用。
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Mary Martin – I’ll Walk Alone（1944）
orchestra conducted by Camarata
２度目の引用。
Martha Tilton – I’ll Walk Alone（1944）
orchestra conducted by Paul Weston
SP盤 “Texas Polka” のＢ面。
２度目の引用。
Dinah Shore – I’ll Walk Alone（1944）
with Mixed Chorus
２度目の引用。
Due to the 1942-44 strike against the record industry （aka “The Recording Ban”） by the American Federation of Musicians, no musical instruments could be utilized in the production of new commercial recordings by those companies which had not yet settled with the union, which included Victor at the time of this recording. Thus, only a vocal group is heard accompanying Dinah.
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Frankie Carle and his Orchestra – Saturday Night（Is The Loneliest Night In The Week）（1944）
vocal: Phyliss Lynne
３度目の引用。
Billboard charted release of the #2 ranked “Hit Parade” song, also posted to this channel in the Frank Sinatra and Sammy Kaye versions.
Kay Kyser and his Orchestra – Just Plain Lonesome（1942）
vocal: Harry Babbitt and quartet
One of the Burke-Van Heusen tunes written for the 1942 Kyser film “My Favorite Spy” （not to be confused with the 1951 Bob Hope comedy of the same name）.
Tommy Dorsey and his Orchestra – You’re Lonely And I’m Lonely（1940）
vocal: Frank Sinatra
Billie Holiday – Trav’lin’ All Alone（1937）
Jimmy Sacca – Alone（1954/01）
orchestra conducted by Billy Vaughn
シングル “You’re All That I Need” のＢ面。
Allan Jones – Alone（1949）
recorded April 9, 1949
Tommy Dorsey and his Orchestra – Alone（1936）
vocal: Cliff Weston
Just weeks after Tommy began recording with his new band, he turned out this popular waxing of the #1 “Hit Parade” tune that had been introduced on-screen by Kitty Carlisle and Allan Jones in the classic Marx Brothers vehicle “A Night At The Opera.”
Mark Allen and his Orchestra – Alone（1935）
vocal: Lucille Young
Familiar song hit introduced on-screen by Kitty Carlisle and Allan Jones in the classic Marx Brothers vehicle “A Night At The Opera.” For the flip side “If You Were Mine,”
Larry Funk and his Band of a Thousand Melodies – I’m Lonesome For You Caroline（1934）
vocal: Vaughn Monroe
The earliest commercial releases to feature the voice of Vaughn Monroe were recorded at the lone documented session by Larry Funk and his Band of a Thousand Melodies. The flip side is “Rain”.
Billie Holiday – Solitude（1941）
recorded in NYC May 9, 1941
This Ellington standard （his 1934 recording was issued on the 78 flip side of Billie’s famous version of “God Bless The Child”
Mills Blue Rhythm Band – Solitude（1934）
conducted by Lucky Millinder
vocal: Chuck Richards
For Duke Ellington’s 1934 Brunswick instrumental recording of “Solitude,”
Duke Ellington and his Orchestra – Solitude（1934 Brunswick version）
Sax player Harry Carney is featured on this popular recording of the Ellington standard. The other commonly-reissued version from this period is the Victor recording of eight months earlier which includes a piano intro by Duke.
Chick Webb and his Orchestra – Lonesome Moments（1934）
（instrumental）
Written and arranged by Edgar Sampson, this 78 release erroneously included a Taft Jordan vocal credit on the label.
John Jackson and his Orchestra at the Dorchester Hotel, London – Lonely Feet（1934）
with vocal refrain
２度目の引用。
Composed by Jerome Kern and Oscar Hammerstein II for their unsuccessful 1934 London musical “Three Sisters,” this song also appeared in the film “Sweet Adeline” later in the year, sung by Irene Dunne. Another better-known Kern tune from “Three Sisters” was “I Won’t Dance,” though the original Hammerstein-Harbach lyric was replaced by the familiar Dorothy Fields-Jimmy McHugh version when the song was re-introduced in the 1935 movie “Roberta.” The flip side of this 78 is “Goodnight, Lovely Little Lady”.
Muddy Waters – Lonesome Road Blues
from the album “Muddy Waters Sings’Big Bill'”（1960）
Big Bill – Lonesome Road Blues（1941/02）
Big Bill Broonzy
Composer: Broonzy
Salty Dog Sam – Lonesome Road（1933）
Sam Collins
SP盤 “Graveyard Diggers’ Blues” のＢ面。
Bert Lown and His Hotel Biltmore Orchestra – Alone In A Corner（1931）
vocal: Elmer Feldkamp
My gracious, what a joyful lyric! The flip side is “My Success”.
Billy Cotton and His Band – Lonely Lane（1934）
vocal: Ivor Rich
２度目の引用。
Song from the late-1933 Warner Brothers film “College Coach,” in which it was performed by Dick Powell, who also recorded it commercially
Dick Powell – Lonely Lane（1933）
レーンは「小さな車道または小道」を意味する英語由来の名前。男女ともに使えるが主に男子名として１９３０年代後半から増え始め、７０年代にいったん減ったが、９３年から急激に増加した。
この歌では「道」と人名（＝歌の主人公＝私＝歌い手）と両方の意味のようだ。
女性歌手が歌う時は 原詩のまま He 、男性歌手の時は He を She に変えて歌われる。
２度目の引用。
Powell introduced this tune on-screen in the Warner Brothers film “College Coach,” which also starred Pat O’Brien and Ann Dvorak.
Meyer Davis and his Orchestra – Lonely Heart（1933）
vocal: Lew Conrad
One of four posted tracks by Davis from the 1933 Moss Hart-Irving Berlin musical revue “As Thousands Cheer.” See also “Heat Wave” “Easter Parade” and “How’s Chances”
Benny Carter and his Orchestra – Lonesome Nights（1933）
（instrumental）
This track from the fourth documented recording session credited to the Benny Carter band included Teddy Wilson on piano and Sid Catlett on drums. On the flip side is the earliest commercial recording of the swing standard “Blue Lou”.
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101 Strings Orchestra – Have You Ever Been Lonely?
101ストリングス・オーケストラ – 淋しかったかしら
The Caravelles – Have You Ever Been Lonely（UK:1964/01/17）
ザ・キャラヴェルズ
Pop Chart Peaks: Music Vendor 75, Cash Box 82, Billboard 94
The 1933 song hit was chosen for the U.S. follow-up single to the British duo’s best-seller “You Don’t Have To Be A Baby To Cry”
Roberta Sherwood – Have You Ever Been Lonely
from the album “The Country Sound…With Soul”（1963）
Wanda Jackson – Have You Ever Been Lonely
ワンダ・ジャクソン – 淋しかったの？
from the album “Love Me Forever”（1963）ワンダの歌う愛のバラード
The Chadons – Have You Ever Been Lonely（1963/07）
Chad Allen recorded over a string of various record labels in the 1960’s but is know most for his 1961 Smash Records single,’Little Lonely’. In 1963, with Faye Paris （mother of the Paris Sisters） as his manager, Chad Allen formed the Chadons which included Tisha Cooper and Cindy Sees who had recorded as the Good Girls for the Counsel label on’I’m In The Mood For Love’. After two years, Cindy left the Chadons and was replaced by Lyle Thompson. When Tisha left, Chad & Lyle continued to perform with two more female replacements before calling it quits. During their nearly ten year career, the Chadons not only made the rounds at the many clubs and venues around southern California but also throughout the United States and abroad.
Chad returned to performing solo in the 1970’s and then teaming up with Gary Heath in 1983, known as CHAD & GARY, the two recorded an album and appeared in many of the top hotels and clubs within the Palm Springs, California area.
Still together more than 30 years later, recently Chad & Gary have created a popular line of decorative patio accessories and 7′ by 9′ stunningly hand-painted umbrellas that they ship all over the country. Their business,’Canvas In the Garden’, is featured and shown regularly with the La Quinta Arts Foundation.
A wealth of gratitude goes to Chad Allen and Gary W. Heath for contributing their photos and musical career recollections for this video.
Please visit Chad & Gary’s’Canvas In The Garden’ website: https://www.canvasinthegarden.com/
Jim Reeves And Patsy Cline – Have You Ever Been Lonely（Have You Ever Been Blue）（1961/10）
The Browns Featuring Jim Edward Brown – Have You Ever Been Lonely（Have You Ever Been Blue）
from the album “Sing Their Hits”（1960）
（Remastered）
Ed Reynolds – Have You Ever Been Lonely（1960）
Teresa Brewer – Have You Ever Been Lonely（Have You Ever Been Blue）（1960/11）
Pop Chart Peaks: Music Vendor 77, Billboard 84, Cash Box 120
Jaye P. Morgan – Have You Ever Been Lonely（Have You Ever Been Blue）（1955/04）
Ernest Tubb – Have You Ever Been Lonely?（1949）
Lisa Kirk And Don Cornell – Have You Ever Been Lonely?（Have You Ever Been Blue）（1949）
Chick Bullock – Have You Ever Been Lonely?（Have You Ever Been Blue）（1933）
Elsie Carlisle – Have You Ever Been Lonely?（1933）
Recorded by Elsie Carlisle in London on February 14, 1933.
Roy Carrol and his Beach Club Orchestra – Have You Ever Been Lonely?（Have You Ever Been Blue）（1933）
vocal: Dick Robertson
recorded in NYC February 14, 1933
The Dorseys, Rollinis, Venuti-Lang, and Mannie Klein were among the players heard on this track, issued on various labels under different pseudonyms.
Roy Carroll （spelled “Carrol” here） was a recording identity most commonly seen on Columbia dime store releases, often Ben Selvin sides. The few Vocalion issues by “Carroll and his Beach Club Orchestra” are spread among several different ARC leaders.
Ray Noble and his Orchestra – Have You Ever Been Lonely?（1933）
vocal: Al Bowlly
A song composed by Songwriting Hall Of Fame inductee Peter De Rose （”Deep Purple,” “Wagon Wheels,” “A Marshmallow World,” etc.）. Other versions posted to the channel include Ted Lewis and Adrian Rollini （as’Roy Carrol’）
Ted Lewis and his Band – Have You Ever Been Lonely?（Have You Ever Been Blue）（1933）
vocal: Ted Lewis
recorded in NYC February 1, 1933
◆ ◆ ◆
Ted Weems and his Orchestra – Lonely Park（1933）
vocal: Andrea Marsh
２度目の引用。
The flip side is “When The Morning Rolls Around”
- せっかくの秋だから孤独を噛みしめよう（８） 續 more register movement
- せっかくの秋だから孤独を噛みしめよう（７） 續 more register movement
- せっかくの秋だから孤独を噛みしめよう（６） 續 more register movement
- せっかくの秋だから孤独を噛みしめよう（５） 續 more register movement
- せっかくの秋だから孤独を噛みしめよう（４） 續 more register movement
- せっかくの秋だから孤独を噛みしめよう（３） 續 more register movement
- せっかくの秋だから孤独を噛みしめよう（２） 續 more register movement
- せっかくの秋だから孤独を噛みしめよう（１） 續 more register movement