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杯盤狼藉　宴のあと

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平野 透：TOHRU HIRANO
今日の国会での外務大臣野郎の発言が呆れた。「外務大臣：福島でマスクをしてる人の映像が海外で放映されると、海外で日本の風評被害が深刻になる。私はそういう風評被害をなんとかしたい。」と、平然とした顔で言うが、おまえは阿呆？だろ。と、終日いらだった。
https://twitter.com/#!/TOHRU_HIRANO/status/136792072299614208

そもそも、この大臣は福島県選出である。
であるならば尚のこと、県民の「命と健康と安全」を気にかけ、最大限の努力をする立場にあるはずだ。それが議員としての使命でもあるはずだ。
http://haru55.blogspot.com/2011/11/blog-post_18.html

愚かな選択は自分たちに跳ね返ってくるばかりでなく、他県、日本全体に迷惑をかける事にもなります。経済や外交にも悪い影響を与えてしまう。
福島県民にはこんなのに投票した責任があります。

The Hollywoods – Masked Women Village（Sweden:2000）

Run Patty Run – Masked By The Law（Italy:1997）

　　※（追記：この動画は削除されました）

 

Coroner – Masked Jackal（UK:1988）

Blue Rondo – Masked Moods（UK:1984）

Andy Summers & Robert Fripp – I Advance Masked（UK:1982）

The Clues – Masked Emotions（UK:1981）

Grimms – The Masked Poet（UK:1975/07/04）

Van Morrison – Who Was That Masked Man（UK:1974/11/29）

California Suns – Masked Grandma（1966/06）
Composer: Carol Connors, Roger Christian

The Blazers – Masked Grandma（1964/05）
Composer: George Fulmore

Eddy Bell And The Bel-Aires – The Masked Man（Hi Yo Silver）（1960/09）

Country Joe And The Fish – The Masked Marauder（1967/04）

三島由紀夫は小説『宴のあと』で料亭政治と選挙戦を宴と見做して描きましたが、
プライバシーを侵害したと訴えた政治家がいたくらいで、あれは創作というよりノンフィクションに近いモデル小説だったようです。
もちろん文章表現としては一流なわけですが。

「宴のあと」の同義語の関連用語
　１　地盤沈下 １００％
　２　この世は夢まぼろし ９４％
　３　つかのまの人生 ９４％
　４　一場の夢 ９４％
　５　諸行無常 ９４％
　６　衰退 ７０％
　７　儚い ３6%

宴のあとのお隣キーワード
　宴
　宴が果てる
　宴が盛り上がる
　宴す
　宴たけなわ
　宴たけなわな
　宴のあと
　宴の座
　宴もたけなわ
　宴人
　宴会
　宴会でお決まりの
　宴会に出る
http://thesaurus.weblio.jp/content/%E5%AE%B4%E3%81%AE%E3%81%82%E3%81%A8

George Benson – This Masquerade（1976/04 stereo 45 single version）
ジョージ・ベンソン – マスカレード

arranged & conducted by Claus Ogerman
produced by Tommy LiPuma
Pop Chart Peaks: Record World 8, Billboard 10, Cash Box 12 – R&B Peak: 3 – A/C Peak: 6
Grammy winning Record Of The Year of a song originally recorded in December 1971 （per The Originals Project） by its writer Leon Russell. It was the first national record hit for jazz guitarist/vocalist Benson, edited for single release from the 8-minute “Breezin'” LP track

George Benson – This Masquerade（1976 mono radio promo 45）

arranged & conducted by Claus Ogerman
produced by Tommy LiPuma
Pop Chart Peaks: Record World 8, Billboard 10, Cash Box 12 – R&B Peak: 3 – A/C Peak: 6
Grammy winning Record Of The Year of a song originally recorded in December 1971 （per The Originals Project） by its writer Leon Russell. It was the first national record hit for jazz guitarist/vocalist Benson, edited for single release from the 8-minute “Breezin'” LP track

George Benson – This Masquerade（album version）
ジョージ・ベンソン – マスカレード
from the album “Breezin'”（1976）ブリージン
Time: 8:03

The Carpenters – This Masquerade（1973）
カーペンターズ – マスカレード

Earth, Wind & Fire – World Is a Masquerade
from the album “Head To The Sky”（1973）Columbia KC 32194

Shona Laing – Masquerade（1973）
New Zealand

Leon Russell – This Masquerade（1971 LP version）
レオン・ラッセル – マスカレード
from the album “Carney”（1972）カーニー

produced by Denny Cordell and Leon Russell
recorded December 9, 1971
1st Recording Of “This Masquerade”
This much-recorded Leon Russell composition is best-known from the Grammy-winning 1976 George Benson release The song first appeared as this full-length version in Russell’s “Carney” LP and was also issued on 45rpm as a shortened edit on the flip side of his top-15 1972 hit “Tightrope.”

Seelow & Mayer Formation – Masquerade（1970）

Armando Trovaioli – Masquerade（1969）
From, “Il Commissario Pepe”（Italy）警視ぺぺ
音楽：アルマンド・トロヴァヨーリ

The Five Satins – The Masquerade Is Over（1962/05）
conducted by Al Lorber

Pop Chart Peaks: Billboard 102, Cash Box 114
With an arrangement patterned after the Gene Pitney hit “Every Breath I Take,” the quintet brought back this song hit of 1939, originally popularized by the bands of both Larry Clinton

Nancy Wilson, Cannonball Adderley – The Masquerade Is Over（1961）

Red Garland -（I’m Afraid）The Masquerade Is Over（1957）

　　※（追記：この動画は削除されました）

 

Billie Holiday -（I’m Afraid）The Masquerade Is Over

　※動画なし。

 

Frankie Carle and His Orchestra – Midnight Masquerade（1947）
vocal: Marjorie Hughes
SP盤 “Rockin’ Horse Cowboy” のＢ面。

recorded February 1947.
As with several other Carle hits during this period, his daughter Marjorie handled the vocal. The song spent a couple of weeks on “Your Hit Parade” in June of ’47.

Monica Lewis – Midnight Masquerade（1947）

orchestra conducted by Ray Bloch

Larry Clinton & his Orchestra -（I’m Afraid）The Masquerade Is Over（1939）
vocal: Bea Wain

recorded in NYC January 20, 1939
A #5 peaking “Hit Parade” tune, one of the standards later recorded by various doo-wop vocal groups.

Jimmy Dorsey and his Orchestra – The Masquerade Is Over（1939）
vocal: Bob Eberly

A #5 peaking “Hit Parade” tune, one of the standards later recorded by various doo-wop vocal groups.

Victor Young and his Orchestra – Masquerading In The Name Of Love（1934）
vocal: Scrappy Lambert
recorded in NYC December 12, 1933

Syd Lipton and his Grosvenor House Band – Masquerade（1932）
vocal: Sam Browne

recorded in London c. August 25, 1932
An early recording by the longtime popular UK bandleader. See also a version by the Ted Black orchestra with Dick Robertson

Ted Black and his Orchestra – Masquerade（1932）
vocal: Dick Robertson
recorded in NYC June 22, 1932

The Knickerbockers – Masquerade（1928）
with vocal refrain

recorded in NYC August 31, 1928
Ben Selvin as “The Knickerbockers”
This bright number （with its opening nod to “Vesti la Giubba”） is a different “Masquerade” from the popular Webster-Loeb waltz hit of 1932. The Selvin flip is “Flower Of Love”

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Frankie Laine – It Ain’t Over ‘Til It’s Over（2005）

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Frank Stallone – Far From Over（1983/07 stereo 45 single version）
フランク・スタローン – ファー・フロム・オーヴァー
タイトルは「終わりからは遠い」＝「まだやれる」の意。

produced by Johnny Mandel
Pop Chart Peaks: Billboard & Cash Box 10 – UK Peak: 68 （Gallup）
This was the only Top 40 hit for actor-singer-songwriter Stallone （and the final Top 40 hit for RSO Records）. It was featured in the film “Staying Alive,” which was directed by his older brother Sylvester and starred John Travolta, reprising his Tony Manero role from “Saturday Night Fever.” Here also is the longer “Far From Over” track included in the movie’s soundtrack album

Frank Stallone – Far From Over（album version）
フランク・スタローン – ファー・フロム・オーヴァー
from the album Various “Staying Alive（The Original Motion Picture Soundtrack）”（1983）ステイン・アライブ オリジナル・サウンドトラック

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Loverboy – When It’s Over（Canada:1982/02, US:1982/03 stereo 45 single version）
ラヴァー・ボーイ – イッツ・オーヴァー

backing vocals by Nancy Nash, produced by Bruce Fairbairn & Paul Dean
Pop Chart Peaks: Cash Box 25, Billboard 26, Record World 89 （was still moving up toward its chart peak when Record World ceased publication with the April 10, 1982, issue）
Backing vocals by Nancy Nash on this title from the Canadian band’s second studio album “Get Lucky”.

Loverboy – When It’s Over（album version）
ラヴァー・ボーイ – イッツ・オーヴァー
from the album “Get Lucky”（1981）ゲット・ラッキー

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Journey – The Party’s Over（Hopelessly In Love）（1981/02 stereo 45 single version）
ジャーニー – ブルースカイ・パーティ

produced by Kevin Elson
Pop Chart Peaks: Billboard 34, Cash Box & Record World 41
This studio recording was included in Journey’s live LP “Captured,” though in a longer version than the 45 single

Journey – The Party’s Over（Hopelessly In Love）（album version）
ジャーニー – ブルースカイ・パーティ
from the album “Captured”（1981）ライブ・エナジー

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Boz Scaggs – It’s Over（1976/03）
ボズ・スキャッグス – すべては終り
from the album “Silk Degrees”（1976）シルク・ディグリーズ

arranged by David Paich
produced by Joe Wissert
Pop Chart Peaks: Billboard 38, Cash Box 48, Record World 56
The first of four singles released from his five-times-platinum LP “Silk Degrees.”

Brown Sugar – The Game Is Over（What’s The Matter With You）（1976/01）
フィラデルフィアのグループ。
２度目の引用。

The Hollies – Long Dark Road（US:1972/10/10 stereo 45）
ザ・ホリーズ – ロング・ダーク・ロード
何かが終わってしまい、前を向いても、見通しが暗い、という歌。

produced by Ron Richards and Hollies
Pop Chart Peaks: Cash Box & Record World 24, Billboard 26 – A/C Peak: 31
The followup single release to their million-seller “Long Cool Woman （In A Black Dress）.”

The Hollies – Long Dark Road（1972 mono radio promo 45）

produced by Ron Richards and Hollies
Pop Chart Peaks: Cash Box & Record World 24, Billboard 26 – A/C Peak: 31
Edited from the 4:19 LP track, this was the followup single release to their million-seller “Long Cool Woman （In A Black Dress）.”

The Who – The Song Is Over
from the album “Who’s Next”（1971）

Nancy Wilson – Face It Girl, It’s Over（1968/03 mono 45）

arranged & conducted by H. B. Barnum
produced by David Cavanaugh
Pop Chart Peaks: Record World 21, Billboard 27, Cash Box 41 – R&B Peak: 15 – Easy Listening Peak: 28
After “（You Don’t Know） How Glad I Am” in 1964, this was Nancy’s only other top-40 entry. Of course, the multiple-award-winning half-century performing career of this jazz great was never defined by her’pop single’ accomplishments.

The M-3’s – When The Party’s Over

Pat Briley – But It’s Over（1967/11）
シングル “One For My Baby（And One More For The Road）” のＢ面。

The Latin Souls – The Party is Over（1967）

Eddie Jones – Let’s Stop Fooling Ourselves（1966/06）
２度目の引用。

Bob & Earl – Baby, It’s Over（1966/05）

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Eddy Arnold – It’s Over（1968/05）
Producer: Chet Atkins
Arranger: Bill Walker
２度目の引用。

Billy Vaughn And His Orchestra – It’s Over（1966/05）
２度目の引用。

　　※（追記：この動画は削除されました）

 

Jimmie Rodgers – It’s Over（1966/04）
Composer: Jimmie Rogers
Arranger: Jimmie Haskell
“Honey”（ハニー）や”Little Green Apples”（小さな青いリンゴ／青い果実）を書いたソングライター Bobby Russell はこの歌を聴いていた？
２度目の引用。

produced by Randy Wood
Pop Chart Peaks: Record World 31, Billboard 37, Cash Box 55
Jimmie’s first Hot 100 entry to reach the Top 40 since early 1960.

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Danny Boy Thomas – My Love Is Over（1966）

Danny Williams – I’ve Got To Find That Girl Again（1966）
２度目の引用。

Jay & The Americans – When It’s All Over（1965/05）
ジェイとアメリカンズ – イッツ・オール・オーヴァー
シングル “Cara, Mia”（カラ・ミア）のＢ面。
from the album “Blockbusters”（19）ブロックバスターズ

Jackie Day – It’s Over（1965）

Dora Hall – It’s All Over（1965）

The Cops ‘N Robbers – It’s All Over Now, Baby Blue（1965）

　　※（追記：この動画は削除されました）

 

Bob Dylan – It’s All Over Now, Baby Blue（1965）

The Beckett Quintet -（It’s All Over Now）Baby Blue（1965/09）

After scraping enough money together, this group headed west from New Mexico to Hollywood. Memebers included Tommy Muncrief – vocals, Tim Taylor – guitar, Barry Dunkeson – guitar, Norm Reccius – bass guitar and Steve Nagle – drums. They eventually hooked up with Nick Venet for a session at Gold Star and recorded the Tim Taylor composition,’NO CORRESPONDENCE’ and the Bob Dylan tune,’（It’s All Over Now） BABY BLUE’. First issued in September 1965 on the tiny GEMCOR label, the band signed with A&M who reissued the disc in November that year. Work began recording tracks for a forthcomming A&M album which Herb Alpert, Tommy LiPuma and Jack Nitzsche were invoved. Along with the two previously recorded tracks a couple more were finished but after Steve Nagle received his draft notice and entered the military in early 1966, the band dwindled apart and the album was never finished.

 

Darleen Carr – When It’s Over（1966/07）
シングル “Anybody’s Girl” のＢ面。

The first of only two officially issued singles by actress/vocalist, Darleen Carr. The youngest of three sisters, Miss Carr made a nice living appearing in many television programs throughout the 1960’s up into the 1990’s. Noticed by Walt Disney who was looking for a young actress to follow in the footsteps of Annette and Haley Mills who were no longer with his company, Darleen signed up with the corporation. Among the limited work she did while there was to perform the singing voice of’Shanti’, the girl in the animated motion picture,’The Jungle Book’. Darleen simultaneously was picked up by RCA Victor Records. The first outing was the coupling of,’Anybody’s Girl’ with’When It’s Over’ issued in July 1966. While the A-side has become a collectible slab of vinyl for the dancing Northern Soul crowd, the hidden and practically unknown flip side is quite nice. Composed by Don Atfeld and Jill Gibson, who was the girl friend of Jan Berry （Jan & Dean）, the only known other version was recorded by Jan & Dean in 1964 and included as the flip side of their Liberty single,’Sidewalk Surfin’. Darleen’s performance on the A-side of this disc is interesting in that she sings for the most part, in the lower register of her voice and sounding very much like a teenage singer. Considering that she was just fifteen years old, that shouldn’t be surprising. It is on the Gibson – Atfeld B-side,’When It’s Over’, where her controlled, and sounding years beyond her age voice really shines. With members of L.A.’s’Wrecking Crew’ delivering a beefy,’Wall of Sound’ backing track that was more than likely arranged by a non-credited Perry Botkin Jr., the simple little Jan & Dean tune became something quite special. A quality disc, with two outstanding sides that sadly, was tossed into the mile high heap of obscure L.A. recordings.

Jan & Dean – When It’s Over（1964/10/09）
シングル “Sidewalk Surfin'” のＢ面。

 

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Gene Pitney – It’s Over / It’s Over（Medley）（1977/10）
Producer: Jerry Fuller
Roy Orbison – It’s Over（1964/03）イッツ・オーヴァー
と
Jimmie Rodgers – It’s Over（1966/04）
の同名異曲メドレー。

Having been in the recording business since 1958, Gene Pitney would eventually achieve hit-making status at the age of 21 after signing with then newly formed Musicor Records in 1961. Throughout the 1960’s he would find success with records such as,’Town Without Pity’,’（The Man Who Shot） Liberty Valance’,’Only Love Can Break A Heart,’24 Hours From Tulsa’,’Mecca’,’It Hurts To Be In Love’ and I’m Gonna’ Be Strong’ to name a few. Recording, stage and television performances, touring the world and composing hits for others,’Rubber Ball’ for Bobby Vee,’Today’s Teardrops’ for Roy Orbison,’He’s A Rebel’ for the Crystals and’Hello Mary Lou’ for Ricky Nelson, Gene Pitney enjoyed many accolades. By the 1970’s, recording had slowed down but Mr. Pitney kept busy in Europe where he had a large following and fan base. In the US, at an April 1977 session at Larrabee Sound Studios in West Hollywood, California, Gene recorded three tracks of which two would become the A&B sides of an Epic Records single. Produced by Jerry Fuller, the A-side was a medley of two well known songs both entitled,’It’s Over’. Roy Orbison and Bill Dees were the composers of Roy’s big hit in 1964 and Jimmie Rogers composed and recorded his song with the same title in 1966. The backing track of Gene’s’It’s Over’ medley was a powerful and atmospheric, lushly orchestrated extravaganza that would build and ebb with emotive tension culminating with an explosive finish. It is probably one of Gene Pitney’s finest performances put to recording tape. The single was pressed and released in June of 1977 but tanked in the US. What an absolute shame. Epic did issue the record in Germany, Holland, Italy, Australia and the United Kingdom.

The Paris Sisters – Long After Tonight Is All Over（1967/01）
シングル “Some Of Your Lovin'” のＢ面。

Christine Quaite – Long After Tonight Is All Over（UK:1966/01/07）

Dusty Springfield – Long After Tonight Is All Over
ダスティ・スプリングフィールド
from the album “Ev’rything’s Coming Up Dusty”（1965）エヴリシングス・カミング・アップ・ダスティ

Jimmy Radcliffe – Long After Tonight Is All Over（UK:1964/10）
Composer: B. Bacharach, H. David

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The Rolling Stones – It’s All Over Now（UK:1964/06/26, US:1964/07/24 Single mono version）イッツ・オール・オーヴァ・ナウ
from the album “12 X 5″（1964）

The Valentinos – It’s All Over Now（1964/05）

recorded March 24, 1964
Bobby Womack is featured on this original of a song successfully covered soon-after by the Rolling Stones

Roy Orbison – It’s Over（1964/03）
ロイ・オービソン – イッツ・オーヴァー
Composer: Roy Orbison, Bill Dees
Arranger: Bill Justis

Pop Chart Peaks: Record World 8, Billboard 9, Cash Box 10 – UK Chart Peak: 1
Roy released only two singles in 1964, this and the #1 “Oh, Pretty Woman.”

Eydie Gorme – Everybody Go Home（1963）羽根のないキューピッド

Mike Stephen – It’s Over（1963）

Beau Hannon and The Mint Juleps – It’s All Over（1961）

Peggy Lee – The Party’s Over（1960）

Shirley Bassey – The Party’s Over（1959）

Doris Day – The Party’s Over（1956/11/19）
orchestra conducted by Frank De Vol

Pop Chart Peaks: Cash Box 47, Billboard 63, Music Vendor 74
Ballad from the Broadway musical hit “Bells Are Ringing,” in which it was sung by Tony award winner Judy Holliday （who also performed it in the 1960 movie version）.

1956 “Bells Are Ringing” Original Cast: The Party’s Over（Judy Holliday）
orchestra conducted by Milton Rosenstock

Jimmy Clanton – It’s All Over Now（1959）

Anthony Newley – It’s All Over（1959）
UK

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Peggy Lee – It’s All Over Now（1946）
orchestra conducted by Dave Barbour

recorded July 23, 1946
Billboard Chart Peak: 10 （radio play）

Frankie Carle and his Orchestra – It’s All Over Now（1946）
vocal: Marjorie Hughes

Joining the other 1946 Carle hits “Oh, What It Seemed To Be” “Rumors Are Flying” and “One More Tomorrow” is this medium-tempo number that reached #13 on the juke box charts and once again features a vocal by the bandleader’s daughter Marjorie.

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Charlie Spivak and his Orchestra – I Got Plenty O’ Nuttin’（1945）
（instrumental）

recorded December 19, 1944
Here is one of four instrumental sides issued in an album of “Porgy And Bess” selections （Victor SP-6） by trumpeter Charlie Spivak, voted by Downbeat Magazine readers as “1944’s Best Sweet Band.” Recorded late in the year, this collection of Gershwin tunes was released in early 1945 in the Victor Showpiece album format which consisted of two 78rpms encased in an illustrated heavy paper gatefold type container, as opposed to the usual sturdier ‘book’ type built to hold three or more discs.
All four of these individual album tracks are also available for continuous sequential listening in a single sub-12-minute video posted under the title “1944 full album: Charlie Spivak-Porgy And Bess.”

Leo Reisman and his Orchestra – I Got Plenty O’ Nuttin’（1942）
vocal: Avon Long
ガーシュインのオペラ『ポーギーとベス』より。曲の邦題は「くたびれもうけ」。

recorded in NYC March 15, 1942
One of the sides from Leo Reisman’s 1942 Decca album “Song Hits from George Gershwin’s Porgy and Bess.” The six-song collection of dance arrangements was recorded and released early in the run of the first New York revival of the famed 1935 folk opera and featured vocals by current cast members Avon Long and Helen Dowdy.

Glenn Miller and his Orchestra – The Hour Of Parting （1939）

“Glen Island Casino” June 13, 1939 Broadcast
NBC’s transmission from the famous club in New Rochelle NY featured this instrumental arrangement of a 1931 tune that Miller did not record commercially. It was ultimately issued in the deluxe 1954 RCA Victor set “Limited Edition, Volume Two.” Other posted versions of the song include those by Bert Lown and Victor Young

Joe Reichman and his Orchestra – I Got Plenty O’ Nuttin’（1936）
vocal: Buddy Clark

recorded in NYC July 28, 1936
Buddy goes’dialect’ on the familiar tune from “Porgy And Bess,” which had ended its original 1935-36 Broadway run six months prior to this ARC recording date.

Frank Auburn & his Orchestra – The Hour Of Parting（1931）
vocal: Orlando Roberson as “Robert Wood”

recorded in NYC June 19, 1931
Ben Selvin as “Frank Auburn”
“Frank Auburn” was a pseudonym commonly seen on various dime store labels to represent the works of several well-known recording artists, including Ben Selvin, Harry Reser, Fred Rich, Sam Lanin, Phil Spitalny and others. See also the flip side “Hikin’ Down The Highway”

Bert Lown and His Hotel Biltmore Orchestra – The Hour Of Parting（1931）
vocal: Elmer Feldkamp

recorded in NYC June 16, 1931
The also-posted flip side is “That Little Boy Of Mine”

Victor Young and The Brunswick Orchestra – The Hour Of Parting（1931）
vocal: Dick Robertson

recorded in NYC April 22, 1931
And the flip side is “In The Candlelight”

 

【売国奴・BKD名簿】133人全リスト◇ＴＰＰに反対署名しなかった国会議員の名簿 | ひまじんの日記：イザ！
http://himajin321q.iza.ne.jp/blog/entry/2504020/

それがどういうことか知悉してる人もいれば、業界団体から言われてという人もいるでしょう。
こうなったら可能なかぎり先延ばししてアメリカが先に逝くのを待つ、というのが得策だと思いますよ。

2011.11.17
　もしイタリア国債がデフォルトすると、ドイツやフランスもユーロを支えられずに通貨体制としてのユーロがもたなくなる。その場合、ユーロに意味がなくなるわけだから、当然ユーロは暴落する。
　そこまでいかなくても、イタリア国債の価値が下がると、ギリシャ以上のインパクトがある。やや極端であるが、イタリア国債を持っているということだけで銀行同士が疑心暗鬼になっていて、資金のやりとりができなくなるということもありえる。
　日本の金融機関の経営も大変になる。というのは、イタリア国債の保有額は１兆円といわれているのだ。
＜高橋洋一　連載：２０１１「日本」の解き方　より一部引用＞
http://www.zakzak.co.jp/society/domestic/news/20111117/dms1111170804000-n1.htm

資本主義が終わって、次に来るのは何なのか。欧州もダメ、米国もダメ、もちろん、日本もメタメタで、先進国は総崩れ。どこもリーダーとなり得ない。
元相愛大学長の高橋乗宣氏と同志社大教授の浜矩子氏が書いた「２０１２年 資本主義経済大清算の年になる」（東洋経済新報社）には、こんなくだりが出てくる。
〈ドルはいまや、世界の迷惑通貨になっている。基軸通貨とは、その国にとっていいことが世界中にとってもいいことである、ということだ。１９世紀の「パックス・ブリタニカ」の時代はポンドがその役割を担った。第二次世界大戦後、「パックス・アメリカーナ」が幕開けした。今やその関係は明らかに成り立たなくなっている〉
その上で、今後の地球経済は「ルールなきジャングル経済に向かう」と書いていた。そうした混乱期には戦争や恐慌が起こる。それが過去の歴史だ。混乱期が過ぎれば、おそらく、中国やインドなどの新興国が台頭してくるのだろう。
http://asumaken.blog41.fc2.com/blog-entry-4309.html

『愛こそはすべて』というけれど、中国人に自己愛以外の愛があるとは思えない。他人に良くするのも後できっちり見返りを得るための先行投資だ。
インド人はどうだろう。インド人は思慮深い。ただ命を軽んじる点では中国人に近いイメージだ。カースト制度の根も深い。
乱世になれば日本人は意気地がない。借りてきた猫のように内に籠ってしまうだろう。巨大地震と原発の脅威は今後何十年も続きそうだ。
はてさて、どうしたものかね。

Gail Martin – Let’s Not Take The Lovin’ Out Of Love（1967）

Ral Donner – It Will Only Make Me Love You More

The Belmonts – Am I Losing Your Love

　　※（追記：この動画は削除されました）

 

 

追加記事

Rudy Vallée “Let’s Put Out The Lights （And Go To Sleep）” on The Ed Sullivan Show
The Ed Sullivan Show
2025/11/08
September 24, 1950.
昔のアメリカ人は友人・知人を招いて、しばしばホームパーティをしたそうだ。
これはパーティが終わり、後片付けをしている夫妻の歌。
祭りの後の一抹の寂しさをヤンキーならではの感覚で語っている。

（２０２５年１１月８日）

最終更新日時： 2026/02/23 月曜日, 12:18