Week」タグアーカイブ

まだ、もう、あと、やっと、とうとう一週間

 

三連休最終日の12月24日(月)。かなり冷え込んでます。
今年もあと1週間。次の月曜はもう大晦日です。早いもんだ。

Rayburn Anthony – Three Nights A Week
from the album “Carl Mann & Rayburn Anthony – (The Legends From Jackson Tennessee)Cruisin’ Around With Carl Mann & Rayburn Anthony”(Scandinavia:2013)

NEWS – weeeek(2007)

  ※(略)

 

Perpetual Groove – Three Weeks
from the album “Sweet Oblivious Antidote”(2003/01/21)
2度目の引用。

Neal McCoy – Forever Works For Me(Monday, Tuesday, Wednesday, Thursday)(album version)
from the album “24-7-365″(2000)
2度目の引用。

◆    ◆    ◆

The J. Geils Band – Freeze-Frame(1982/02/08 stereo 45)
J. ガイルズ・バンド – フリーズ・フレイム
●歌詞には
映像編集に関わる言葉 Slow-motion
スチール写真関連語 Snapshot, dark room
どちらでも使う言葉 Zoom lens, Close up
印刷用語 proofsheet
化学実験用語 Test-strip
などの単語が本来の意味、あるいは比喩として使われていて、
映画フィルムやビデオのストップ・モーションにも、ハッとするような1枚の写真という意味にも受け取れる。
●歌詞に、Tuesday, weekdays, Thursday, Friday night, Sunday の語がある。
●歌詞に “Stop time heart for me” とあり、桑江知子の歌との共通性が感じられる。

arranged & produced by Seth Justman
Pop Chart Peaks: Billboard & Cash Box 4, Record World 5 – UK Peak: 27 (BMRB, NME, MM)
Follow-up single to their chart-topping “Centerfold”, both from the 1981 LP “Freeze Frame.” A slightly shorter promo 45 version was also serviced to radio

The J. Geils Band – Freeze-Frame(1982 stereo radio promo 45 shorter version)

arranged & produced by Seth Justman
Pop Chart Peaks: Billboard & Cash Box 4, Record World 5 – UK Peak: 27 (BMRB, NME, MM)
Follow-up single to their chart-topping “Centerfold”, both from the 1981 LP “Freeze Frame.” A slightly shorter promo 45 version was also serviced to radio

<参考>
桑江知子 – 私のハートはストップモーション(1979/01/25)
作詞:竜真知子、作曲:都倉俊一、編曲:萩田光雄
ストップ・モーションとは時間が止まったようにその動画の1フレームを静止画状態で見せる編集技法のこと。カンフー映画でしばしば見かけたものだが、当時はTVドラマのタイトルバックやラストシーンで多用された。
https://www.youtube.com/results?search_query=%E6%A1%91%E6%B1%9F%E7%9F%A5%E5%AD%90+%E7%A7%81%E3%81%AE%E3%83%8F%E3%83%BC%E3%83%88%E3%81%AF%E3%82%B9%E3%83%88%E3%83%83%E3%83%97%E3%83%A2%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3

◆    ◆    ◆

のこいのこ – ヒポポタマス(1980)

  ※(略)

 

岡田みき – サマー・サンデー(1971)
旧名:みきめぐみ、後に小川みき
作詞:さかよりひさし、作曲:ふじわらみなと、編曲:青木望

いずみ朱子、ハニーナイツ – 虹をかける藤崎(1971)
作詞:河野忠男・岩谷時子(補作)、作曲:いずみたく、編曲:葵まさひこ

  ※(追記:この動画は削除されました

 

Holly Guns – Crazy Week(1969)

Mary Butterworth – Week In Eight Days(1969)

有馬竜之介 – 土曜日に集まれ!

東京マイスタージンガー – 一週間

 

ハナ肇とクレイジー・キャッツ – ウンジャラゲ(1969/07/10)
作詞:藤田敏雄、作曲:宮川泰

  ※(追記:この動画は削除されました

 

Scott Walker – Two Weeks Since You’ve Gone(UK:1969/06/06, US:1969/06)君が去って2週間

Peter and Gordon – Sunday For Tea(US:1967/03/13, UK:1967/03/23, mono 45)サンディ・フォー・ティー

conducted by Mike Vickers
produced by John Burgess
Pop Chart Peaks: Cash Box 22, Record World 24, Billboard 31
The final top-40 single for Asher & Waller.

Chuck Woods – Seven Days Too Long(1967)

Marian Montgomery – Monday Thru Sunday(1967)
UK

The Meat Dept. – This Weeks Children

This is an A-side single to “Janet” and is written by Warren Kendric.
The 45 was released in 1967 by Polar Bear Records and the catalog # is 41967.
This group is from Illinois.

Steve Mancha – Monday Through Thursday(1966/09)

Max Falcon – Saturday And Sunday(1966/04)

The Beatles – Eight Days A Week
from the album “Beatles For Sale”(1964)

Dave Dudley – Six Days On The Road(1963/04)
2度目の引用。

Country chart peak: #2 Pop chart peaks: Music Vendor 26, Billboard 32, Cash Box 39
The only significant ‘pop’ hit for the long-time country music star.

フランク永井、松島みのり – 月火水木金土の歌(1963/03)
作詞:谷川俊太郎、作曲:服部公一
第4回日本レコード大賞作詞賞。

五月みどり – 一週間に十日来い(1962/11)
作詞:小島胡秋、作曲:遠藤 実

  ※(追記:この動画は削除されました

 

Etta James – Seven Day Fool(1962)
2度目の引用。

Gary U.S. Bonds – Seven Day Weekend(1962)
2度目の引用。

  ※(追記:この動画は削除されました

 

The Deans – I Don’t Want To Wait(Just For Saturday Night)(Mohawk:1961, Laurie:1961/11)
シェレシュワッワッ
3度目の引用。

Paul Davis – Six Days On The Road(1961/09)

One of most popular truck-driving country songs of all time, “Six Days On The Road” didn’t become a major national hit until Dave Dudley’s 1963 version

Alan Dale – Monday To Sunday(1961/05)

◆    ◆    ◆

Cliff Richard – Daddy’s Home(UK:1981/11/06, US:1981/11 stereo live 45)
クリフ・リチャード – ダディーズ・ホーム
2度目の引用。

produced by Cliff Richard
Pop Chart Peaks: Cash Box 22, Billboard 23, Record World 27 – A/C Peak: 3 – UK Peak: 2 (BMRB, NME, MM)
This track was included in Cliff’s “Wired For Sound” LP and was a live performance from Cliff’s BBC television series “Cliff.” The familiar doo-wop standard had been popularized originally in 1961 by Shep and The Limelites and was also brought back in 1972-73 as a Top 10 hit for Jermaine Jackson

Jermaine Jackson – Daddy’s Home(1972/11/15 stereo 45)
ジャーメイン・ジャクソン – パパの家
2度目の引用。

arranged by The Corporation & Gene Page
(debuted late’72) 1973 Pop Chart Peaks: Record World 6, Cash Box 7, Billboard 9 – R&B Peak: 3
The first Top 10 single for Jackson 5 member Jermaine was this revival of the 1961 Shep & The Limelites hit

Jermaine Jackson – Daddy’s Home(1972 mono radio promo 45)
2度目の引用。

arranged by The Corporation & Gene Page
(debuted late’72) 1973 Pop Chart Peaks: Record World 6, Cash Box 7, Billboard 9 – R&B Peak: 3
The first Top 10 single for Jackson 5 member Jermaine was this revival of the 1961 Shep & The Limelites hit

Shep and the Limelites – Daddy’s Home(Hull:1961/03)
日・月・火
2度目の引用。

Pop Chart Peaks: Billboard 2, Cash Box & Music Vendor 3 – R&B Chart Peak: 4
James “Shep” Sheppard is back with this #2 charting’sequel’ to his 1956-57 Heartbeats hit “A Thousand Miles Away”

◆    ◆    ◆

Anastasia – Seven Days A Week(1961)

Fats Domino – Three Nights A Week(1960/08)
2度目の引用。

Sanger Shafer ‎- Seven Day Blues

  ※(追記:この動画は削除されました

 

The Crests – Six Nights A Week(1959/02)

Pop Chart Peaks: Billboard 28, Cash Box 29, Music Vendor 32
Follow-up single release to their “Sixteen Candles” smash.

Anthony Newley – Sat’day Night Rock-A-Boogie(UK:1959/04)
Composer: Newley, Henderson
シングル “I’ve Waited So Long” のB面。
3度目の引用。

Cile Turner – Crap Shootin’ Sinner(1959)

Kay Martin – Come By Sunday(1959)

The Shirelles – I Met Him On A Sunday(Ronde-Ronde)(Tiara:1958/02, Decca:1958/03)
orchestra conducted by Stan Green
2度目の引用。

Pop Chart Peaks: Cash Box 24, Music Vendor 26, Billboard 49
First hit for the famed girl group.

Larry Birdsong – Every Night In The Week(1958)

The Students – Every Day Of The Week(1958)
conducted by Jimmy Coe

Killer doo-wop track found on the flip side of the group’s better-known ballad “I’m So Young”

Bing Crosby – Seven Nights A Week(1957)

Doris Day – Today Will Be Yesterday Tomorrow!(1957/03/11)
orchestra conducted by Frank De Vol
シングル “Twelve O’Clock Tonight” のB面。
2度目の引用。

The Moonglows – See Saw(1956/07)
2度目の引用。

Pop Chart Peaks: Billboard 25, Cash Box 25, Music Vendor 72 Billboard R&B Chart Peak: 6

Moon Mullican – Seven Nights To Rock(1956)

The Crew Cuts – Seven Days(1955/12/29)
orchestra conducted by David Carroll
Top 20 ‘pop’ version of the Clyde McPhatter R&B hit.

Dorothy Collins – Seven Days(1955/12)
orchestra & chorus conducted by Dick Jacobs

Billboard Chart Peaks: 17 (juke box play), 25 (Top 100)
The “Hit Parade” star released one of three simultaneously-charted versions of this ballad, as did Clyde McPhatter and The Crew-Cuts

Clyde McPhatter – Seven Days(1955/12)
Jay Whidden and his Biltmore Orchestra “Many Moons Ago”(1933)
Teresa Brewer ‎”Till I Waltz Again With You”(1952/12)想い出のワルツ
Joni James – My Believing Heart(1955/11)
と似ている。

Billboard Pop Chart Peak: 44 – R&B Chart Peak: 2 (juke box & radio play) 3 (record sales)
Having previously been featured as lead vocalist on a number of Drifters R&B hits, Clyde enjoyed his first taste of solo ‘pop’ chart success with this ballad, also covered by Dorothy Collins and The Crew-Cuts.

“Lucky” Joe Almond – Every Day Of The Week(I’ll Be Loving You)(1955)

Fred Norman And His Orchestra – Monday-Tuesday-Wednesday-Thursday-Friday(1954/12)

  ※(追記:この動画は削除されました

 

Georgia Gibbs – Seven Lonely Days(1953/02)
with the Yale Brothers
orchestra conducted by Glenn Osser
3度目の引用。

Also a top-10 country hit for Bonnie Lou (Kath), “Seven Lonely Days” by Georgia Gibbs reached #5 on the pop juke box charts. It was the most successful recording released by ‘her nibs’ between her two million-sellers “Kiss Of Fire” (1952) and “Tweedle Dee” (1955).

Bonnie Lou – Seven Lonely Days(1953/03)
3度目の引用。

Top-10 country hit was also a ‘pop’ song success for Georgia Gibbs. Bonnie followed this release with her “Tennessee Wig Walk” (also posted to this channel, as is her most successful hit “Daddy-O”).

Jo Stafford and Gordon MacRae – Monday, Tuesday, Wednesday(1950)

Sam Nichols – Two Weeks Notice(1948)

  ※(追記:この動画は削除されました

 

Frank Sinatra – Sunday, Monday Or Always(1943)
with The Bobby Tucker Singers
(a cappella)

From the Bing Crosby film “Dixie,” this was a popular ballad hit for both Bing and Frank Sinatra. Note that most or all of the common CD reissues of this Sinatra title are of an alternate take rather than of this posted track that appeared on the commercial single.
This is a ‘recording ban’ hit, performed a cappella (all vocal…no musical instruments) due to the ongoing strike against the recording industry by James C. Petrillo’s American Federation of Musicians which began August 1, 1942, and remained in effect for each of the major labels until they reached agreement on a new contract with the union.

Bing Crosby with the Ken Darby Singers – Sunday, Monday Or Always(1943)日曜日も月曜日もいつでも
(a cappella)

Introduced by Bing in the film “Dixie,” this was his most popular record hit of 1943, spending seven weeks parked at #1 on the Billboard singles chart. See also Frank Sinatra’s voice-only version.
This is a ‘recording ban’ hit, performed a cappella (all vocal…no musical instruments) due to the ongoing strike against the recording industry by James C. Petrillo’s American Federation of Musicians which began August 1, 1942, and remained in effect for each of the major labels until they reached agreement on a new contract with the union.

 

追加記事

(2021年10月9日)

追加記事

Cure – Friday I’m In Love(Strangelove Mix)(UK:1992/05/15)
ザ・キュアー – フライデイ・アイム・イン・ラヴ(ストレンジラヴ・ミックス)
Time: 5:29

Cure – Friday I’m In Love(UK:1992/05/15)
ザ・キュアー – フライデイ・アイム・イン・ラヴ
Time: 3:39

(2025年1月18日)