- 天上影は替らねど栄枯は移る世の姿（９） more register movement
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Leo Reisman and his Orchestra – Magnolias In The Moonlight（1936）
vocal: Larry Stewart
Song from the little-remembered Republic Pictures musical “Follow Your Heart,” which starred former New York Metropolitan Opera coloratura soprano Marion Talley.
Dean Martin – In The Chapel In The Moonlight（1967/06/14 mono 45）
ディーン・マーティン – 月のチャペル
produced by Jimmy Bowen
Pop Chart Peaks: Billboard 25, Cash Box 30, Record World 32 – Easy Listening Peak: 1
This 1936 song hit turned out to be one of the most durable copyrights left behind by famed songwriter Billy Hill, with later popular versions by Kitty Kallen （1954）, The Bachelors （1965）, and Dino in’67.
The Bachelors – In The Chapel In The Moonlight（UK:1965/10/22）
The Billy Hill ballad had been a popular success for several recording artists back in 1936-37, had provided Kitty Kallen with a top-5 hit in 1954, and was revived by both Dean Martin and The Bachelors during the 1960s.
Sonny Til And The Orioles – In the Chapel in the Moonlight（1963/01）
The Orioles – In the Chapel in the Moonlight（1954/07）
conducted by Sid Bass
Kitty Kallen – In The Chapel In The Moonlight（1954/05）
orchestra conducted by Jack Pleis
Richard Himber And His Ritz-Carlton Orchestra – In The Chapel In The Moonlight（1936）
Vocal: Stuart Allen
Ruth Etting – In The Chapel In The Moonlight（1936）
with Studio Orchestra
Less than four months away from her final recording session, Ruth gave us this lovely version of the Billy Hill ballad that spent three weeks atop the “Your Hit Parade” survey. Other recordings of the song on the channel include Shep Fields, Mal Hallett （both 1936）, and the 1954 revival by Kitty Kallen.
Shep Fields and his Rippling Rhythm Orchestra – In The Chapel In The Moonlight（1936）
vocal: Bob Goday
Getting the typical Shep Fields’rippling rhythm’ treatment in this version, the Billy Hill ballad would spend three weeks atop the “Your Hit Parade” radio survey during its first time around and would be revived successfully on various occasions during the 1950s and 60s: Kitty Kallen in 1954, The Bachelors in 1965, and Dean Martin in 1967
Richard Himber and his Ritz-Carlton Orchestra – In The Chapel In The Moonlight（1936）
vocal: Stuart Allen
1st Recording Of “In The Chapel In The Moonlight”
This Billy Hill ballad spent three weeks atop the “Your Hit Parade” radio survey during its first time around in the’30s and would be revived successfully on various occasions during the 1950s and 60s: Kitty Kallen in 1954, The Bachelors in 1965, and Dean Martin in 1967
Joe Haymes and his Orchestra – The Moon Is Grinning At Me（1936）
vocal: Cliff Weston
タイトルは「月が私をニヤリと笑っている」の意。
Grin（口の端を上げ歯を見せて笑う）には善意の「微笑み」の意味も含まれている。
Will Hudson, Irving Mills, and Dale Jones are credited writers of this one. The flip side is “You’re Too Sure Of Me”.
Billy Cotton and his band – Me and The Moon（1936）
vocal: Alan Breeze
Bing Crosby – Me And The Moon（1936）
orchestra conducted by Victor Young
口笛が入る。
This song climbed to #6 on the weekly “Your Hit Parade’ radio survey.
Joe Reichman and his Orchestra – Me And The Moon（1936）
vocal: Buddy Clark
Nice ARC release of a ballad that climbed to #6 on “Your Hit Parade,” also recorded by Bing Crosby, Hal Kemp, Richard Himber, Jimmie Lunceford, Victor Young & Shep Fields. On the flip side is the Gershwins’ “I Got Plenty O’ Nuttin'”
Hal Kemp and his Orchestra – Me And The Moon（1936）
vocal: Maxine Grey
This song climbed to #6 on the weekly “Your Hit Parade” radio survey. See also the 78 flip side “A Star Fell Out Of Heaven.”
The Platters – Moon Over Miami
ザ・プラターズ – マイアミの月
from the album “Sing Of Your Moonlight Memories”（1963）月に歌うプラターズ
Ray Charles – Moon Over Miami
レイ・チャールス – マイアミの月
from the album “The Genius Hits The Road”（1960）レイ・チャールスの断面
René Touzet And His Orchestra – Moon Over Miami（1957）
２度目の引用。
Eddy Duchin and his Orchestra – Moon Over Miami（1936）
vocal: Lew Sherwood
Jan Garber and his Orchestra – Moon Over Miami（1936）
vocal: Lee Bennett
recorded in Chicago December 16, 1935
Lud Gluskin and his Orchestra – Moon Over Miami（1935）
vocal: Buddy Clark
More than a decade before he achieved fame as a solo recording star, Buddy Clark’s name was included on the label of this and other Gluskin recordings, as opposed to his frequently anonymous’vocal refrain’ billing on a number of other dance band releases of the period.
George Hall and his Hotel Taft Orchestra – Moon Over Miami（1935）
vocal: Dolly Dawn
Reaching the top spot on “Your Hit Parade” early in 1936, the ballad hit was represented in record stores by this fine George & Dolly version as well as by Eddy Duchin, Connie Boswell, Jan Garber, and Lud Gluskin.
Connee Boswell – Moon Over Miami（1935）
Lanny Ross – Two Heads Against The Moon（1935）
recorded in NYC February 8, 1935
At the time of this recording, popular radio vocalist Lancelot Ross was appearing on a weekly 30-minute program for NBC （Wednesdays at 8:30, sponsored by Log Cabin Syrup）. See also the flip side “I’m Misunderstood”
Smith Ballew and his Orchestra – What A Little Moonlight Can Do（1935）
（Russ Morgan and ARC Orchestra）
conducted by Russ Morgan
vocal: Smith Ballew
Singer Ballew’s “orchestra” is really the ARC studio musicians, conducted on this particular date by Russ Morgan. The also-posted Ballew flip side is “Every Single Little Tingle Of My Heart”
George Hall and his Hotel Taft Orchestra – According To The Moonlight（1935）
vocal: Sonny Schuyler
Both this and the flip side “It’s An Old Southern Custom” were tunes featured repeatedly in the Alice Faye musical “George White’s 1935 Scandals,” released one year after her 1934 film debut in “George White’s Scandals.” Also appearing in this Fox Film were James Dunn, Cliff Edwards, Lyda Roberti, and （in her first important screen role） Eleanor Powell.
Harry Rosenthal and his Orchestra – According To The Moonlight（1935）
vocal: Russ Morgan
Posting two tracks from the last of the three Columbia sessions credited to the Rosenthal band, with Russ Morgan stepping out of the trombone chair to provide the vocals. This and the flip side “Hunkadola” were songs featured in the Alice Faye movie “George White’s 1935 Scandals,” released one year after her 1934 film debut in “George White’s Scandals.”
Victor Young and his Orchestra – According To The Moonlight（1935）
vocal: Jimmie Ray
Both this and the flip side “It’s An Old Southern Custom” were tunes featured in the Alice Faye musical “George White’s 1935 Scandals,” released one year after her 1934 film debut in “George White’s Scandals.” Also appearing in this Fox Film were James Dunn, Cliff Edwards, Lyda Roberti, and （in her first important screen role） Eleanor Powell.
Leo Reisman and his Orchestra – According To The Moonlight（1935）
vocal: Phil Duey （sometimes shown as Dewey）
Both this and the flip side “It’s An Old Southern Custom” were tunes featured repeatedly in the Alice Faye musical “George White’s 1935 Scandals,” released one year after her 1934 film debut in “George White’s Scandals.” Also appearing in this Fox Film were James Dunn, Cliff Edwards, Lyda Roberti, and （in her first important screen role） Eleanor Powell.
Smith Ballew and his Orchestra – Roll Along Prairie Moon（1935）
vocal: Smith Ballew
A #4 “Hit Parade” tune, sung by Harry Stockwell in the 1935 MGM film musical “Here Comes The Band”
Little Jack Little and his Orchestra – Moonburn（1935）
vocal: Little Jack Little
日灼けがあるなら月灼けもあるだろうという戯言。
A song written for Paramount’s “Anything Goes,” a 1936 film adaptation of the 1934 Cole Porter musical （and which retained few of Porter’s original stage tunes）. This movie starred Bing Crosby and Ethel Merman; and yet one more “Anything Goes” film would be added to Bing’s resume in 1956.
Bing Crosby – I Wished On The Moon（1935）
with Dorsey Brothers’ Orchestra
These lyrics were composed by none other than iconic author/poet/critic/screenwriter Dorothy Parker, with music by Ralph Rainger. Bing sang this “Hit Parade” tune on-screen in “The Big Broadcast Of 1936” （released 9/35）.
Little Jack Little and his Orchestra – I Wished On The Moon（1935）
vocal: Little Jack Little
Note the alto sax acrobatics by Harry Terrill, who continued doing them for several more years as the familiar musical signature for the band of Mitchell Ayres. Ayres was Jack Little’s violinist and eventually took over leadership of his band.
These lyrics were composed by none other than iconic author/poet/critic/screenwriter Dorothy Parker, with music by Ralph Rainger. This most successful tune from the score of “The Big Broadcast Of 1936” （released 9/35） was sung onscreen by Bing Crosby, whose Decca recording also won the sales competition.
追加記事
Kitty Kallen “In The Chapel In The Moonlight” on The Ed Sullivan Show
The Ed Sullivan Show
2025/10/18
November 7, 1954.
（２０２５年１０月１８日）
- 天上影は替らねど栄枯は移る世の姿（９） more register movement
- 天上影は替らねど栄枯は移る世の姿（８） more register movement
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