Buchanan and Goodman」タグアーカイブ

スティーヴ・アレンの詩の朗読

Steve Allen – Gravy Waltz(1963)
with Don Trenner and his Orchestra

Pop chart peaks: Billboard 64, Music Vendor 72, Cash Box 74
This was co-written with Steve by well-known jazz bassist Ray Brown and was conducted by Donn Trenner, who also led the studio orchestra on Allen’s current late-night ABC-TV show.

スティーヴ・アレンが『ビー・バップ・ア・ルーラ』の歌詞をさも高尚なもののように(あるいは往年のテッド・ルイスの如く)勿体つけて朗読し、爆笑を取るという、ロック史では有名なエピソードがある。
その歴史的映像がこれ( ↓ )

Be-Bop-A-Lula: DJ Steve Allen presents the lyrics(1957/09)
当時NBCで放送されていたテレビバラエティー『スティーブ・アレン・ショー』より。
『ビー・バップ・ア・ルーラ』の歌詞を高尚な詩のように読み上げて茶化した有名なパフォーマンス。

この話、むかしカール・ベンツ著『ロックへの視点』(1973年第2刷)で読んだ気がして、書棚から引っ張り出しパラパラと見返したが、その記述が見つからぬ。
R&Bもロックンロールも元からマジメな音楽ではないから、それをいくら茶化してもさしたるダメージは与えられないのだが、それでも当初より茶化しまくっていたのはあのスタン・フリバーグだった。

Stan Freberg – Green Chri$tma$(1958/11)

Stan Freberg – Banana Boat(Day-O)(1957)
with Billy May’s Music, interruptions by Peter Leeds

Parody of the Harry Belafonte recording
Chart Peaks: Billboard 25, Cash Box 30

Stan Freberg with Billy May’s Music – Wun’erful, Wun’erful! (sides uh-one and uh-two)(1957)
featuring Daws Butler, Peggy Taylor, Chuck Schrouder, The Lemon Sisters, and Billy Liebert (accordion)

Chart Peaks: Cash Box 22, Billboard 32, Music Vendor 78
Stan’s elaborate spoof of the Lawrence Welk Show had initially been performed ‘live’ on his summertime CBS Radio comedy-variety program, This subsequent Capitol recording turned out to be Freberg’s final Billboard top-40 charting single.

Stan Freberg with The Toads and Billy May’s Music – The Great Pretender(1956)

The Platters were the target for one of Freberg’s most famous pop record parodies (introducing the term “kling-kling-kling jazz”). The closing “he ruined the ending” bit with the drums is a call-back to Stan’s previous release “The Yellow Rose Of Texas.”

Stan Freberg and his Sniffle Group – Rock Island Line(1956)
conducted by Billy Liebert, interruptions by Peter Leeds

Lonnie Donegan’s Skiffle Group gets the Freberg “Sniffle Group” treatment. See also the 45 flip side “Heartbreak Hotel.”

Stan Freberg – Heartbreak Hotel(1956/06)
conducted by Billy Liebert, echo by Mammoth Cave

Stan’s Elvis parody, with the also-posted “Rock Island Line” on the flip side of the single
Billboard Chart Peak: 79

Stan Freberg with Burglar and Billy May’s Music – Nuttin’ For Christmas(1955/11)

One of five Billboard charted versions of the 1955 Christmas novelty

Stan Freberg and Daws Butler – The Lone Psychiatrist(1955)
featuring June Foray, orchestra conducted by Billy May

A “Lone Ranger” send-up, issued on the 45 flip side of Freberg’s previously-posted Jackie Gleason spoof “The Honey-Earthers”

Stan Freberg and Daws Butler – Point Of Order(1954)
music by George Bruns
シングル “Person To Pearson” のB面。

It’s another cleverly conceived Stan Freberg production that reached #15 on the sales charts, but one that won’t necessarily make you laugh: 1) The routine isn’t inherently humorous if one doesn’t understand the context or some of the characters being portrayed, and 2) the U.S. Senate’s Army-McCarthy hearings which were satirized here involved some personalities and events that are now recalled with distaste or regret by many Americans.

Stan Freberg – The World Is Waiting For The Sunrise(1952/10)
conducted by George Bruns
banjos by Dick Roberts and Red Rountree

It’s banjos instead of guitars in this out-of-control multi-tracked tribute to Stan’s Capitol label-mate Les Paul.

Stan Freberg – I’ve Got You Under My Skin(1951/07)
orchestra and chorus conducted by Les Baxter
2度目の引用。

Stan and the Les Baxter chorus use Cole Porter’s standard as the basis for a parody of the Weavers’ 1951’call-and-response’ hit “On Top Of Old Smoky.”

<参考>
Percy Faith and his Orchestra and Chorus, with Burl Ives – On Top Of Old Smoky(1951/04/23)

Posting all three versions of this old folk song that achieved a top-ten ranking on at least one of Billboard’s weekly singles charts (see also Vaughn Monroe and The Weavers). Though this record was patterned after the arrangement that Pete Seeger had created for the Weavers, Burl Ives fans may be familiar with the 1946 film “Smoky” in which he sang a different set of lyrics to the same melody under the opening and closing credits. A clip montage of Ives’ songs from that movie is posted elsewhere on YouTube.

<参考>
The Weavers and Terry Gilkyson – On Top Of Old Smoky(1951/05)
orchestra and chorus conducted by Vic Schoen
シングル “Across The Wide Missouri” のB面。

Posting all three versions of this old folk song that achieved a top-ten ranking on at least one of Billboard’s weekly singles charts (see also Vaughn Monroe and Percy Faith-Burl Ives). Far and away the most popular was this Weavers version with its call-and-response arrangement by Pete Seeger. It spent eight weeks at the #2 position (behind “How High The Moon”) and sold over a million copies. It joins their “So Long” “Kisses Sweeter Than Wine” and “The Roving Kind” in this collection of 1951 hits.

Stan Freberg – John And Marsha(1951/01)
conducted by Cliffie Stone

Prior to the release of this goofy soap opera spoof–his first charted record hit–Freberg had been more of a background talent, engaging in regular voice work on radio, in cartoons, and on the “Time For Beany” television puppet show. Following “John And Marsha,” his recording career continued to blossom with lampoons of popular songs and TV shows such as “Dragnet.”

実は永らくスタン・フリバーグのレコードが手に入らず、RAVENのLP『Stan Freberg vs Rock’n’Roll』を入手したのは1987年秋のことだった。

同じパロディでも私が影響を受けたのはビル・ブキャナンのサウンドコラージュのほうで、1980年代前半にその手法でずいぶんと作ったものだ。

Buchanan and Goodman – The Flying Saucer Part 1 & 2(1956/07 single version)

This million-selling novelty sensation climbed to #3 on Billboard and introduced the concept of what came to be known as the “break-in record.”
CD reissues have sometimes been “improved” by substituting slightly different-sounding song snippets and/or normalizing the gain and quality variations that were apparent in the original single. In the interest of authenticity, this post reflects “The Flying Saucer” as it sounded in its 1956 release version.

Buchanan and Goodman – Buchanan and Goodman On Trial(1956)

In 1956 with their best-selling single “The Flying Saucer,” Dickie Goodman and Bill Buchanan created a novelty format which came to be known as the “break-in” record, utilizing short audio clips from recent ‘pop’ and R&B hits to help tell a story. This follow-up to “The Flying Saucer” was in reference to legal action filed against the duo by the record companies whose music they had sampled.

Buchanan And Goodman – Flying Saucer The 2nd(1957/06 unaltered hit single version)

In later years, assumably due to copyright issues, the version of this track that was included on some compilations had undergone major surgery, with a number of the musical snippets having been either altered or completely replaced by new ‘home-made’ versions. The original 45 release is presented here.

with love from Audrey – Dear Elvis(Page 1 & 2)(1956/09/12)

Billboard Chart Peak: 87
Using the novel ‘break-in’ sampling technique pioneered only a few weeks earlier by Buchanan & Goodman–and labelled as a “madrigual with mimicry”–Audrey (whoever she was) weaves various record snippers into this fan letter to her idol.

P.Q. Rock’N’ Roll – All About Elvis(Part 1 & 2)(1956/09/19)

Buchanan and Goodman with Paul Sherman – Santa And The Satellite Part I & II(1957/11)
シングルのA・B面。
クリスマス・ソング。

Dickie Goodman and Bill Buchanan’s Top 40-charting holiday single was the fourth in their series of novelty “break-in” recordings that featured snippets of recent pop song hits (earlier in the year they had also released “The Banana Boat Story” that used segments of commercial jingles rather than record hits).

a Buchanan and Goodman prod. – The Flying Saucer Goes West(1958/01)

In 1956 with their best-selling single “The Flying Saucer,” Dickie Goodman and Bill Buchanan created a novelty format which came to be known as the “break-in” record, utilizing short audio clips from recent ‘pop’ and R&B hits to help tell a story.

A Buchanan and Goodman enterprice Production with Count Dracula – Frankenstein Of ‘59(Part 1) / Frankenstein Returns(Part 2)(1959)

In 1956 with their best-selling single “The Flying Saucer,” Dickie Goodman and Bill Buchanan created a novelty format which came to be known as the “break-in” record, utilizing short audio clips from recent ‘pop’ and R&B hits to help tell a story.

a Buchanan & Goodman prod. – Flying Saucer The 3rd(1959/07)
In 1956 with their best-selling single “The Flying Saucer,” Dickie Goodman and Bill Buchanan created a novelty format which came to be known as the “break-in” record, utilizing short audio clips from recent ‘pop’ and R&B hits to help tell a story.

Arbogast & Ross – Chaos(Parts 1 & 2)(1959)
Pop Chart Peak Position: Music Vendor 108

Well-remembered satire of 1959 Top 40 radio by radio personality and award-winning comedy writer Bob Arbogast and actor-writer Stan Ross. Sounds like the Anita Kerr Singers in support, as they were quite active in the radio jingle production business during that period.

Dickie Goodman – The Touchables(1961/01)

Pop Chart Peaks: Music Vendor 23, Cash Box 32, Billboard 60
‘Break-in’ novelty spoof of the currently-popular television series “The Untouchables.”

Dickie Goodman – The Touchables In Brooklyn(1961/04)

Pop Chart Peaks: Billboard 42, Cash Box 57, Music Vendor 75
Inspired by the Robert Stack television series “The Untouchables,” this was the follow-up single release to Goodman’s “The Touchables”

Dickie Goodman – Berlin Top Ten(1961/09)

Pop Chart Peaks: Music Vendor 104, Billboard 116
Topical ‘break-in’ novelty inspired by the Berlin Crisis of 1961.

Dickie Goodman & Dr. I. M. ILL – Ben Crazy(1962/06)

Pop Chart Peaks: Billboard 44, Cash Box 50, Music Vendor 70
One of Goodman’s many ‘break-in’ novelties, this time spoofing the popular TV medical drama series “Ben Casey.”

Dickie Goodman – Senate Hearing(1963/10)

Pop Chart Peaks: Billboard 116, Music Vendor 115
Topical ‘break-in’ novelty inspired by the 1963 U.S. Senate ‘Valachi hearings,’ which featured explosive testimony by Mafia member Joseph Valachi.
Note the time discrep between this post and the 2:02 duration shown on the label. Unfortunately I neither own a copy of the original 45 nor have I found a vinyl transfer online. While such labelling errors were not uncommon, some Goodman tracks also have been known to be edited for copyright reasons when reissued on LP or CD. I suspect that there may be a song snippet or two missing from this commonly-available reissue version and would be interested in hearing from anyone who can verify one way or the other.

Buchanan and Greenfield – The Invasion(1964/09)

Dickie Goodman – Batman And His Grandmother(1966/04)

Dickie Goodman – On Campus(1969/06 mono 45)

produced by Dickie Goodman
Pop Chart Peaks: Billboard 45, Record World 49, Cash Box 58
Thirteen years after Dickie’s memorable “Flying Saucer” debut, this’break-in’ novelty about current unrest on college campuses failed to make a significant splash, but he would enjoy one more major hit with his 1975 release of “Mr. Jaws.”

John & Ernest – Super Fly Meets Shaft(1973/02 mono 45)

produced by Dickie Goodman & Sal Passantino
Pop Chart Peaks: Billboard 31, Record World 38, Cash Box 43 – R&B Peak: 17
A break-in novelty co-written but (for a change) not voiced by Dickie Goodman. We hear John Free and Ernest Smith.

Dickie Goodman – Energy Crisis ’74(1974/02 mono 45)

produced by Dickie Goodman & Phil Kahl
Pop Chart Peaks: Record World 29, Billboard 33, Cash Box 37
Incorrectly labeled as ‘stereo,’ this was the second of five Goodman break-in novelties to chart Hot 100 during the 1970s decade.

Dickie Goodman – Mr. Jaws(1975/08 mono 45, original single version)

produced by Bill Ramal & Dickie Goodman
Pop Chart Peaks: Cash Box & Record World 1, Billboard 4
Inspired by the wildly popular 1975 Spielberg film, this turned out to be the only other of Goodman’s numerous break-in novelties beyond the original “The Flying Saucer” (1956) to become a national Top 10 single. Later reissues of “Mr. Jaws” substituted sound-alike samples for some of the actual hit versions featured here in the 45.

<参考>
Syd Lawrence and Friends – The answer to The Flying Saucer U.F.O.(Men From Mars)(1956/09)
2度目の引用。

Over the years they came to be known as’break-in records,’ featuring snippets of recent popular or semi-popular song hits, tied loosely together by a spoken narrative. The first such successful venture, Buchanan & Goodman’s 1956 novelty smash “The Flying Saucer,” was closely followed by this Cleveland-produced effort, also released in the summer of that year.
Of special note toward the end of this track is the appearance of legendary Cleveland DJ (WERE) Bill Randle, who lightly spoofs his own on-air persona. The two record snippets most likely to be unfamiliar to some would be the sped-up Sammy Davis Jr’s “Uh-Oh Get Out Of The Car” at the open and Eddie Lawrence’s spoken “umgawa” bit from “King Arthur’s Mines.”

<参考>
Arbogast & Ross – Chaos(1959)

written by Robert Arbogast & Stanley Ross
performed by Arbogast & Ross
released as Liberty F-55197 in June 1959

<参考>
Susan Smith – A Letter from Susan(1962)

Here’s a local hit that is a real gem. Sweet-voiced Susan is listening to the radio while reminiscing about the day she met her love, recalling the hit songs of the ’50’s and early ’60’s that meant so much to them (and us). This is expressed in the recording by the use of sound samples from the actual records. This is what is known as a “break-in” record, and today would be known as “sampling”. Susan became the wife of Dickie Goodman (who specialized in novelty records featuring “sampling”, with and without his partner Buchanan, such as “The Flying Saucer” and “Mr. Jaws”). Buchanan, incidentally, co-wrote and co-produced this very record. Susan also recorded under the names Susanna Smith and Suzanna Smith.
Did not chart nationally in Billboard, but charted locally in the Top 10 in Cedar Rapids, Iowa in November 1962, the top 40 in Springfield, Massachusetts and the Top 60 in Hartford, Connecticut.
Written and produced by Howard Greenfield (the songwriting partner of Neil Sedaka) and Bill Buchanan.
B-side is “Will You Love Me When I’m Old”.

<参考>
The Delegates – Convention’72(1972/10 mono 45)
グループ名 “Delegates” は「議員」の意。

Pop Chart Peaks: Billboard 8, Cash Box 9, Record World 18
This Dickie Goodman-inspired ‘break-in’ hit featured KQV Pittsburgh morning deejay Bob DeCarlo and rode the singles charts during the weeks prior to–and following–the 1972 presidential election.

<参考>
Vik Venus Alias: Your Main Moon Man – Moonflight(1969/05 mono 45)
アポロ月面着陸を当て込んだお笑い盤。
Buchanan and Goodman 式ながら使用楽曲は発売元のブッダ関連のみだそうだ。
2度目の引用。

script by Barry Siegel
produced by Lewis Merenstein
Pop Chart Peaks: Cash Box 23, Record World 27, Billboard 38
A ‘break-in’ novelty in the Dickie Goodman tradition but featuring song snippets only from the Buddha family of record labels. The voice of “Vik Venus” was spoken by popular NYC deejay WMCA “Good Guy” Jack Spector.

<参考>
Dickie Goodman – On Campus(1969/06)
ベトナム戦争関連の内容。

<参考>
Cheech & Chong – Earache My Eye(Featuring Alice Bowie)(1974/07 stereo 45)
チーチ・アンド・チョン – ミスター・ロックンロール
Producer: Lou Adler
シングルB面 “Turn That Thing Down” の邦題は「ミスター・ロックンロール その2」。

produced by Lou Adler
Pop Chart Peaks: Cash Box 4, Billboard & Record World 9
Highest charting single by the comedy duo (see the title’s Wikipedia page for more info about the recording).